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David Marr

The Jolley Prize

This year’s ABR Elizabeth Jolley Short Story Prize attracted 1,310 entries. Of these, 413 came from overseas, attesting to the high regard in which the Jolley Prize – one of the world’s most lucrative prizes for an unpublished story in English –is held internationally.

Our three judges – Patrick Flanery (Adelaide), Melinda Harvey (Melbourne), and Susan Midalia (Perth) – longlisted thirteen stories from twelve different writers (John Kinsella doubled up). These are all listed on our website, and we congratulate the longlisted authors.

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This week, on the ABR podcast, we feature a special conversation between author and journalist David Marr, historian Mark McKenna and ABR’s Georgina Arnott, recorded in the middle of September 2023, one month out from the Voice referendum. The subject was David Marr’s new book, Killing for Country: A family story, which takes the reader to early nineteenth-century New South Wales and follows the bloodshed of invasion as it tracks north. Mark McKenna’s review of Killing for Country is published in the October issue of ABR.  

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Forty-three years ago, David Marr – journalist, broadcaster, biographer, political commentator, and public intellectual – published his first book, a sharp, memorable biography of Garfield Barwick, former Liberal attorney-general and chief justice of the High Court. After the appearance of Patrick White: A life in 1991, long considered one of the best biographies ever written in Australia, he might well have followed the more predictable path of the serial biographer. But Marr’s trajectory has proved to be anything but predictable.

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There was excitement. David Marr, newly appointed editor of the National Times at just thirty-three, had agreed to speak with politics students on campus. Volunteers were dispatched to buy the obligatory felafel and cheese, plastic cups, and cask wine, and at 3 pm the famous journalist arrived to address ...

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David Marr’s interlocking identities as consummate essayist, journalist of forty-five years, ferocious biographer, and staunch cosmopolitan increasingly eclipse his subject. He wears the condition honestly and inelegantly. ‘I’m a grumpy old guy who hasn’t found in twenty years another big life worth writing’, he remarked in his ...

Church leaders have rarely become national public figures, let alone objects of political contention, in Australia. Since Federation, the number who could be so described can be counted on fewer than the fingers of one hand. There is Ernest Burgmann, the Anglican prelate who earned the sobriquet ‘the red bishop’ for his espousal of left-wing causes during the Depression. Much better known is Daniel Mannix, the long-serving Catholic Archbishop of Melbourne, whose interventions in controversies ranging from conscription campaigns during World War I to Cold War agitation over communist influence in the Labor movement implicated him in two of the ALP’s great splits. And now there is George Pell, Catholic Archbishop of Sydney, a cardinal and a man who is capable, as Mannix was, of arousing both hero worship and intense fear and loathing.

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By the time I found him twenty-five years ago in the Adelaide Hills, Glen McBride was old, tiny, spry, and ready to boast about his career. I doubt many readers have heard of this little man or know of his pivotal role in the literature of this country. That’s what had me knocking at his door. And though he disowned none of it in the hours we spent ranging over his life and times, what really perked him up was confessing his part in the salami and sausage business in that part of the world.

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Panic: David Marr by Black Inc., $29.95 pb, 262 pp

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February 2012, no. 338

David Marr is not on the list of Australian living treasures, but perhaps he should be. Among our best journalists, he stands out as someone who has consistently challenged the powerful, at his best with forensic skill and deep research. Like other journalist–authors such as Anne Summers and George Megalogenis ...

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The political assassination of Kevin Rudd will fascinate for a long time to come. As with Duncan’s murder in Shakespeare’s play it was done, as Lady Macbeth cautioned, under ‘the blanket of the dark’, literally the night of 23–24 June 2010. The assassins heeded Macbeth’s advice: ‘if it were done when ’tis done, then ’twere well it were done quickly.’ And as in Macbeth, the assassins were in the shadow of the throne. Even the old king approved: Bob Hawke, himself deposed in 1991, recognised at last that the removal of a Labor prime minister is sometimes necessary.

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The Best American Essays 2008 edited by Adam Gopnik & The Best Australian Essays 2008 edited by David Marr

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February 2009, no. 308

In 1977, in three consecutive issues, the New Yorker published Hannah Arendt’s ‘Thinking’. Each part was called an ‘article’, a strangely modest, journalistic word in the face of the length of each part of the essay and the profound subject. Thirty-two years ago, the magazine showed curmudgeonly modesty: writers were named in small print at the foot of each ‘piece’, there was never, god forbid, a sub-editor’s catch-all under the title, no short biographies of the writers were printed, and there were never, ever, visual illustrations or photographs to accompany the text. The issue in which the first of Arendt’s ‘articles’ appeared included poetry by Mark Strand; the long book review was by George Steiner; Pauline Kael was the film reviewer; there were four Saul Steinberg drawings; and Andrew Porter reported on classical music. The list of names we revere could go on.

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