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Anders Villani
Anders Villani is the author of Aril Wire (Five Islands Press, 2018) and Totality (Recent Work Press, 2022)
In a 2010 interview, Tobin Siebers, the author of Disability Theory and Disability Aesthetics, argued that ‘[d]isability still seems to be the last frontier of justifiable human inferiority’. At the same time, he suggested, the evolution and success of modern art owed much to ‘its embrace of disability as a distinct version of the beautiful’: ‘No object has a greater capacity to be accep ... (read more)
In Poetry’s Knowing Ignorance, Joseph Acquisto borrows a definition of poetry from Phillipe Jaccottet: ‘that key that you must always keep on losing’. Attempting to know its subject, poetry reveals that there is always more to know. But the French poet’s metaphor, for Acquisto, does not mean ‘simple contingency’. It suggests ‘a complex play of certainty and doubt … that actively re ... (read more)
On a fatherhood weekend, the men drag a dead manna gum, chained to a ute, into camp. They’re talking innocence. Is it inborn, or clad layer by layer by behaviour? Around the grey stump the men start chainsaws and crack beers, open a phone (there’s reception), search innocence definition. Blamelessness. Chastity. Childhood. But also integrity, which means innocence. The confusion – that integ ... (read more)
Early in Joel Deane’s third novel, the point of view shifts from the first to the third person as the narrator, Patrick ‘Pin’ Pinnock, reflects on a moment in boyhood, standing atop a diving board at night:
He looks down and sees the white frame of the rectangular pool, but everything inside the white frame is black. The darkness within the frame is his past and future, he thinks, and the ... (read more)
‘Poems reawaken in us,’ writes James Longenbach, ‘the pleasure of the unintelligibility of the world.’ They do so via ‘mechanisms of self-resistance’: disjunctive strategies that work, for Longenbach, to ‘resist our intelligence almost successfully’. What ‘almost’ means here is, of course, a matter of taste – and style. Nonetheless, this Romantic mandate – that poems achiev ... (read more)
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Shannon Molloy’s 2020 memoir, Fourteen, recounted a childhood and adolescence of grisly homophobic violence. Yet many readers of that book – a bestseller, adapted for the stage and optioned for a film production – may find You Made Me This Way noteworthy in part because it reveals what Fourteen left out: the sexual abuse Molloy suffered, beginning at age five, at the hands of an older boy. T ... (read more)
Mirabilia is the plural form of the Latin mirabile: wonderful thing, marvel. Since the publication of her first book, Press Release, in 2007, Lisa Gorton has cultivated such a voice in Australian poetry. Mordant political wit, formal and thematic bricolage, a liquid control of the line, and the ability to trace patterns across the strata of history and society – to rove between time and the time ... (read more)
‘Every sacred language,’ writes Octavio Paz, ‘is secret. And conversely: every secret language … borders on the sacred.’ In the liminal Pyre, poet Maureen Alsop traverses – and erodes – this secret/sacred border, which is also the border of life and death, ‘the valley between our language’ (‘North Channel’). Each of the book’s section titles is a variation on ‘Selenomancy ... (read more)