Brow Books

‘Experimental writing’ can sometimes seem like a wastebasket diagnosis for any text that defies categorisation. Even when used precisely, it begs certain questions. Isn’t all creative writing ‘experimental’ to some degree? Isn’t the trick to conceal the experimentation? And what relationship does it bear to the ‘avant-garde’? If avant-gardism implies a radical philosophy of art, where does ‘experimentalism’ fit today? Is it not part of the valorisation of novelty, of innovation for innovation’s sake, which has gripped the literary establishment in recent decades? (When books like Milkman [2018] and Ducks, Newburyport [2019] fall victim to the cosiest of literary prizes, where have the real radicals gone?)

In his début collection of essays, This Young Monster, Charlie Fox pays homage to a range of artistic icons (or ‘monsters’) who revel in freakish and reckless play. His creatures of choice include filmmakers Buster Keaton and Rainer Werner Fassbinder, photographers Diane Arbus and Larry Clark ...

Glitter canons erupted at colourful gatherings across the country on 15 November 2017 as the Australian Bureau of Statistics revealed that 61.6 per cent of participants had voted yes in the marriage equality plebiscite. Yes Yes Yes: Australia’s journey to marriage equality, published on the anniversary of that historic day ...

Shaun Prescott’s début novel shares obvious conceptual territory with the fiction of Franz Kafka and Gerald Murnane, both of whom are mentioned in its promotional material ...