As I write this review, Stan Grant’s name is everywhere as the media and the public absorb his decision to step aside from compèring ABC Television’s Q&A after citing the cumulative wear and tear on him and his family of weeks of online racist abuse. Yet such is the pace of the twenty-four-hour news cycle that by the time this review appears, another episode in the seemingly never-ending racist diatribe against Australian First Nations peoples will have moved Grant off the front pages. The ‘trolls of the Twitter sewer’, as Grant calls them, will have found another target for their hatred and aggression.
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