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‘Flies in the Nirvana’

An illuminating and sisterly correspondence
by
June 2024, no. 465

Hazzard and Harrower: The letters edited by Brigitta Olubas and Susan Wyndham

NewSouth, $39.99 pb, 366 pp

‘Flies in the Nirvana’

An illuminating and sisterly correspondence
by
June 2024, no. 465

‘Everyone allows that the talent of writing agreeable letters is peculiarly female.’ So said Jane Austen in Northanger Abbey. Even allowing for Regency hyperbole, there is some truth in the sally. We think of the inimitable letters of Emily Dickinson, who once wrote to a succinct correspondent: ‘It were dearer had you protracted it, but the Sparrow must not propound his crumb.’ In 2001, Gregory Kratzmann edited A Steady Stream of Correspondence: Selected Letters of Gwen Harwood, 1943-1995. Anyone who ever received a letter or postcard from Harwood – surely our finest letter writer – knows what an event that was. She was nonpareil: witty, astringent, frank, irrepressible. Now we have this welcome collection of letters written by Elizabeth Harrower and Shirley Hazzard (unalphabetised on the cover, in a possible concession to the expatriate Hazzard’s international fame).

Hazzard and Harrower is unusual in a few respects, not just because of its span – from 1966, when ‘Shirley H-S.’ wrote to ‘Elizabeth (if I may call you that??)’, to Christmas 2008, when ‘E’ sent ‘S’ ‘This card – a light in the darkness’, shortly before dementia eclipsed Hazzard. Few published literary correspondences last so long or tell so much – lightly, warmly, absorbingly.

Hazzard and Harrower: The letters

Hazzard and Harrower: The letters

edited by Brigitta Olubas and Susan Wyndham

NewSouth, $39.99 pb, 366 pp

From the New Issue

Comment (1)

  • I can't help noting that the 'sisterliness' came across as a little unequal here, but I was pleased to see a mention of Kylie Tennant, as I plod through her mostly unremarkable 'The Joyful Condemned'.

    Tennant once professed in an interview that one of her objectives was to bring an honesty or accuracy to the reality of the times she was writing about. Just the same, her characters, often living in apparent states of social and economic degradation, tend to come across as a little more buoyant and cheerful than one would otherwise imagine given their circumstances.

    The Instagram effect, where folk only post on their good days, may have had its precedent in literature. Arguably a little more frankness may have led to less bewilderment when one's own life seems completely baffling.
    Posted by Patrick Hockey
    11 June 2024

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