Backstage with Neil Armfield
What was the first performance that made a deep impression on you?
In 1970, when I was fourteen, the RSC toured Australia with two ravishing productions: John Barton’s Twelfth Night and Trevor Nunn’s The Winter’s Tale, with a company that included Donald Sinden as Malvolio, and Judi Dench as Viola/Hermione/Perdita. (It was one of the last performances in Sydney’s magnificent old Theatre Royal, destroyed the following year to make way for the MLC building.)
When did you realise that you wanted to be an artist yourself?
In 1972, aged seventeen, I directed my first production: Toad of Toad Hall at Homebush Boys’ High. The great Indigenous director Brian Syron was judging all school theatre productions in participating high schools across New South Wales. He met me in a classroom after the show and asked me if I knew what I wanted to do with my life. I said I thought I’d become a teacher. He said, ‘Because if you want to be a director, you know what you’re doing.’ That was all I needed.
Continue reading for only $10 per month. Subscribe and gain full access to Australian Book Review. Already a subscriber? Sign in. If you need assistance, feel free to contact us.
Leave a comment
If you are an ABR subscriber, you will need to sign in to post a comment.
If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.