Princeton University Press

The End of Empires and a World Remade is Martin Thomas’s magnum opus. Subtitled ‘A global history of decolonisation’, it is more than 600 pages long, of which nearly 300 pages consist of Notes and Bibliography covering more than 2,000 articles and books. The overwhelming majority of these were published in the twenty-first century – an indication of the burgeoning academic interest in decolonisation.

The birth seasons of the Democrat and Republican presidential candidates may be one of the few details of the nominees that have escaped close scrutiny in the lead-up to November’s election. Such a neo-Hippocratic political analy-sis might also consider their general body types, genealogies, dispositions, and partners, according to the approach of a 1943 study, Lincoln-Douglas: The weather as destiny. Written by a Chicago physician and professor of pathology and bacteriology, William F. Petersen, the meteorological biography of Abraham Lincoln and his political opponent Stephen Douglas sought to make the case for the causal climatic forces on the political trajectories of its protagonists. Lincoln’s success was apparently thanks to his slender physique and ‘better equilibrium with the environment’.

The year 1939 was not so very unlike this one. The United States was being torn apart by bitter political disagreements, and the unresolved social divisions and underlying disparities that had haunted the nation from birth were increasingly laid bare. Of these, racial inequality was perhaps most shameful: African American men, women, and children were forced to live a separate existence from that of their fellow citizens, whether due to de jure segregation in the South or the no less pernicious zoning ordinances that kept black families out of middle-class neighbourhoods in the North.

The Australian War Memorial (AWM) is unique among the former settler Dominions in our reluctance to acknowledge as warfare violent conquest and dispossession of Indigenous peoples. The national war museums of Canada, New Zealand, and South Africa all contain exhibits dedicated to military conflicts between First Nations and European colonisers, yet the AWM has for decades refused to heed calls for a frontier war gallery at Mount Ainslie. As veteran journalist David Marr noted earlier this year, while the AWM saw fit a decade ago to memorialise explosive detection dogs and their handlers, ‘we haven’t yet found the space in those halls to commemorate the war that is the basis of our country’s existence’. Kim Beazley, appointed in 2023 to chair the Australian War Memorial Council, recently signalled a shift in direction and has promised that the AWM will soon ‘give the Aboriginal population the dignity of resistance’.

Too often poetry is valued as if it were prose, exclusively by virtue of its subject matter. Such discussions miss the poetry itself, which my wife calls ‘the speech that brings us to silence’, a kind of accuracy beggaring what we say about it. Simon West is a poet who understands this distinction. His essays collected in Dear Muses? (2019) explore ‘the uneasy way my allegiances lie with my language as much as they do with the places in which I dwell’. He knows how complicated such terms as language and place must be, so his landscapes – particularly riverine Victoria and Italy – never seem limitations. ‘The task of the poet is to scrutinize the actual world.’ I read him for the pleasures of both world and word.

As a gynaecologist and feminist, I figured that this book would have little new to teach me. By page four, I realised I was wrong. Kate Clancy, an anthropologist by training and a serious researcher into the science underlying menstruation, takes her readers on an adventurous romp through every physiological, political, and social aspect of this monthly bloodletting and tissue-shedding that virtually all women (and other people with uteruses) experience hundreds of times during their reproductive years – myth-busting as she goes.

'Interracial,’ explains Korey Garibaldi in his compelling first book, is a term ‘not as familiar as it once was’, though it was often used in the United States during the first half of the twentieth century to describe ‘cross-racial collaborations and cultural influences’ across the literary world. One of the most influential advocates of such literary interracialism was W.S. Braithwaite, a poet, critic, and anthologist born in Boston in 1878 to a British Guyanese father and an African American mother, with Braithwaite boldly declaring that ‘all great artists are interracial and international’. Garibaldi’s critical work traces the ups and downs of this interracial aesthetic from the beginning of the twentieth century to the 1960s. In the process, he adds another dimension to our understanding of the complex racial dynamics of this era.

In her 2019 biography, Chaucer: A European life, Marion Turner provides a fine-grained social context for the poet’s life – from early days. Young Geoffrey Chaucer, we learn, would likely have been educated in a school such as London’s St Paul’s, with its generously stocked library, and a ‘master’ who ‘sat in a chair of authority, raised up, surveying the room’, and whose pedagogical style allowed for disputation.

Karl Marx was coy about what lay on the other side of capitalism. Communism, in his phrase, amounted to ‘the real movement which abolishes the present state of things’. As a guide to the organisation of society, the pugnacious phrase left something to be desired – literally. Though he appreciated capitalism as an essential stage in the progress of humanity, Marx nevertheless treated its supersession as both a historical necessity and a moral desideratum. The very status of the person as a person is at stake. Under capitalism, we are damaged and incomplete, alienated from our labour and deprived of the means to realise our true potential. 

What is money? To most, it is currency in the physical form of bills and coins. To others, it encompasses any form of financial credit that mediates present versus future consumption. To the author Stefan Eich, it is an institution that was historically conceived to promote social justice and democracy, but over time has been neutered of its political nature as a public good.