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New Year’s Day 2002 marks the centenary of Warwick Windridge Armstrong’s Test cricket début for Australia. At the age of twenty-two, the promising all-rounder carried his bat in both innings on the Melbourne Cricket Ground against Archie MacLaren’s English side. Almost twenty years later, a much heavier and more famous Armstrong, then aged forty-one and nicknamed ‘The Big Ship’ because of his size, captained Australia for the tenth time in his fiftieth and last Test match, played at The Oval in London.

In How Fiction Works (2008), James Wood examines how novelists write characters and allow us to sympathise with them. He refers to the philosopher Thomas Nagel’s now famous question, ‘What is it like to be a bat?’ Nagel reckoned we cannot know, can only imagine what it would be like to behave like a bat. We can’t know ‘what it is like for a bat to be a bat’.

It’s always interesting to see biographers decide to turn the spotlight upon themselves, and to ask why. Will it be another case of ‘now it’s my turn’? The need to confess, even to enter into the Land of Too Much Information?

The first two volumes of Helen Garner’s diaries – Yellow Notebook (2019) and One Day I’ll Remember This (2020) – cover eight years apiece. This one covers three. It is an intense, even claustrophobic story of the breakup of a marriage – a story told in the incidental, fragmentary form of a diary.

We academic philosophers get annoyed when people suppose that the purpose of philosophy is therapeutic. But we need not deny that philosophical enquiries into the nature of mind, knowledge, and the good can be sources of personal inspiration or solace. In his earlier work, Books That Saved My Life (2018), Michael McGirr, teacher, aid worker, and former priest, explained how literature and poetry can enrich our lives. Now it’s the turn of philosophy.

Judith Brett, historian and La Trobe University emeritus professor of politics, is characteristically direct – in her questioning, her analysis, and her engagement with readers. If there is something declarative about ‘Going Public’, the title of Doing Politics’s introductory chapter, that is exactly what Brett intends: to go public, to offer a general reader her considered reflections on Australian political and cultural life. This is not an assemblage of opinion pieces, though her writings have a related journalistic conciseness and impact – they speak to the times. What distinguishes Brett’s collection of essays is their scholarly depth and habit of enquiry. They prompt thought before they invite agreement, or conclusions. Even the bad actors, the political obstructors, the wreckers in Brett’s political analysis, are psychologically intriguing. Why are our politicians like this? What’s going on? Judith Brett studied literature and philosophy as well as politics as an undergraduate. Perhaps Hamlet drills away in her consciousness: ‘There are more things in heaven and earth, Horatio, / Than are dreamt of in your philosophy.’