Author and literary theorist Stanley Fish is, among other things, a professor of law specialising in constitutional law, media law, the First Amendment, and jurisprudence. It should come as no surprise, therefore, that over the course of his book Law at the Movies he shows a forensic knowledge of the judicial system in the United States. This is no casual checklist of films that feature lawyers as characters, but a dissection of how particular statutes and legal procedures are represented on screen. He conveys how, in the hands of gifted filmmakers, ‘dry as dust soil of legal doctrine flowers into something truly substantive and dramatically compelling’.

Through filmic examples, Fish poses fundamental questions. What is law? How is it established? What is the source of legal authority? What compels obedience to the law? What is the relationship between law and morality?