No Autographs, Please!: A backstage pass to life in the chorus – the stars who take their bow from the second row
Echo, $34.99 pb, 281 pp
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Opportunity knocks
It is a cliché of the operatic world that all members of the chorus are frustrated or failed soloists. The traditional operatic pathway frequently emerges from the chance discovery of a singing voice with potential, followed by an exploration of opportunities to develop this as yet untapped ability. This usually means enrolment in a university vocal program, sometimes followed by postgraduate degrees. In the past, this was not always the case with many instances of highly renowned singers being ‘discovered’ under the most unlikely circumstances while pursuing very different occupations, often with limited or no musical training.
Soprano Katherine Wiles followed the traditional path of a BMus Performance at Auckland University followed by a Masters at the Royal Scottish Academy of Music. She opens her fascinating and heart-warming account of her career with the following observations:
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No Autographs, Please!: A backstage pass to life in the chorus – the stars who take their bow from the second row
by Katherine Wiles
Echo, $34.99 pb, 281 pp
ABR receives a commission on items purchased through this link. All ABR reviews are fully independent.
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