Film
In 1980, Brett Whiteley completed his famous portrait of Patrick White, Patrick White at Centennial Park 1979–1980, disagreements over which caused a terminal rupture in the friendship between the two men. Of his intentions for the painting Whiteley said ...
... (read more)
Nathalie Chazeaux (Isabelle Huppert) is a married professor of philosophy, with two adult children, a sunny, book-lined Parisian apartment, and several published works to her name. Success has granted her self-assurance, at least in public. Early in Things to Come (or L’Avenir, to ...
... (read more)
Australian director Cate Shortland has made three feature films about young women who find themselves out of their depths. Her first, Somersault (2004), set in wintry Jindabyne, featured Abbie Cornish in an early and memorable role as a troubled teenage runaway ...
... (read more)
The opening scene is a stunner. David Irving (Timothy Spall), top of the pile of Holocaust deniers, is giving a lecture. He is framed by darkness, we do not see the audience. ‘I say to you quite tastelessly,’ he says, ‘that more women died on the back seat of Senator Edward Kennedy’s car ...
... (read more)
Martin Zandvliet’s Land of Mine is unsettling from the very outset. During the credits a recurring sound becomes audible, then consuming: the sound of heavy, ragged breathing. Sergeant Carl Rasmussen, sitting in Danish army fatigues and a maroon beret, he is watching a column of ...
... (read more)
If a single word could sum up the world première of Satan Jawa, it would be ‘bewitching’. Indonesian Director Garin Nugroho’s black-and-white silent film combines mime and dance to relate a Faustian tale of love, sacrifice, and agony, rooted in Javanese mysticism. A twenty-piece ...
... (read more)
Unlike Martin Scorsese’s previous forays into the subject of spiritual faith, The Last Temptation of Christ (1988) and Kundun (1997) – both of which used intense, almost delirious musical compositions to evoke a sense of religious fervour – his new film has no score at all. An adaptation of ...
... (read more)
There is something deeply satisfying about watching a classic cinematic trope done well. The film version of Jasper Jones, the best-selling Australian novel of the same name by Craig Silvey, is a uniquely Australian take on the coming of age film, done very well ...
... (read more)
Aman steers a fishing vessel through grey-blue seas off the coast of wintry Massachusetts, while another man chats with a young boy in a life jacket. The camera keeps its distance, the three figures aboard the boat framed by a wide horizon, but we soon perceive that the boy is son to the man at ...
... (read more)
There is a striking scene early on in Barry Jenkins’s Moonlight that sums up the whole film. It is dusk and the sun is about to set on a Miami Beach. A young African American boy and his mentor sit by the sea and watch the ebb and flow of the ocean in the dwindling light. Having just run away ...
... (read more)