Film
For the first third of this film, you would be forgiven for thinking you were back under the influence of the Italian neorealists: largely non-professional actors in a realistic milieu; themes of poverty and deprivation; a child at the centre of the action. That it takes place in India only heightens the ...
... (read more)In London, 1947, a young white English woman named Ruth Williams (Rosamund Pike), of modest background, meets an ordinary-seeming young black man named Seretse Khama (David Oyelowo) at a dance. They go on a few dates, swap jazz records, and then, in short order, the young ...
... (read more)If you’ve just read a novel prior to seeing the film derived from it, you tend to know what to expect in the way of major plot manoeuvres. Attention is then apt to focus on how the filmmaker has responded to the original, and the ‘what’ can then often be seriously challenged. As one who believes ...
... (read more)La Belle et la Bête, The Triplets of Belleville, and David Bowie: Nothing has changed (Melbourne Festival)
In the notes accompanying this year’s Melbourne Festival, artistic director Jonathan Holloway stated that his diverse program was designed to ‘puncture the creative borders between artforms’. The concept of artistic cross-fertilisation is hardly new, nor does it always result in something worth ...
... (read more)Early in Helen Garner’s Joe Cinque’s Consolation (2004) there is a striking description of Anu Singh, the Canberra law student arrested in 1997 for drugging her boyfriend Joe Cinque with a cocktail of heroin and Rohypnol. In court one morning, Singh uses the interval before the judge’s arrival ...
... (read more)It is possible that the remainder of 2016 may produce a more memorable film than Sunset Song, but I doubt it. None so far has moved and enthralled me as Terence Davies' latest has. How I wish he didn't keep us waiting so long between films. It was the semi-autobiographical Distant Voices ...
... (read more)The ending of the BBC 'mockumentary' sitcom, The Office (2001–03) was suitably cathartic. Its supporting protagonists, Tim Canterbury (Martin Freeman) and Dawn Tinsley (Lucy Davis), walked off into the sunset hand in hand to Yazoo's synth love-ballad 'Only You', and its central character ...
... (read more)High-Rise has been a long time coming to the cinema screen. J.G. Ballard's novel of the same name has been slated for adaptation almost since it was published in 1975: director Nicolas Roeg (Walkabout, The Man Who Fell to Earth) was provisionally attached to the project in the late 1970s ...
... (read more)'Ihave no money and no husband,' comments Lady Susan Vernon (Kate Beckinsale) in Love and Friendship, Whit Stillman's adaptation of Jane Austen's novella, Lady Susan. The dilemma is common both to Austen's heroines and to this American director's: his five films have charted the ...
... (read more)Afilm sequel is always a risky venture, and thus it is with Goldstone, Ivan Sen's follow-up to his 2013 outback crime drama, Mystery Road. But it is just one risk the writer–director–cinematographer director takes with this film. Goldstone re-introduces us to the indigenous police detective ...
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