Christina Hill
Christina Hill is a Melbourne-based writer.
The title of Jesse Pentecost’s first novel refers not to a confidence trick but to a Conservatorium of Music. Primarily, Pentecost seems to want to talk about classical music, to offer considered criticism, to impart his knowledge of its history and practice, and to suggest the difficulties of a professional career in music. He is also keen to explore the post-Enlightenment idea of the ‘genius ... (read more)
It is characteristic of Marion Halligan’s work to celebrate surfaces, how things look and taste. Wine and good food matter, as do décor, old houses, antique furniture, and books, gardens and architecture. Valley of Grace is set in a strongly realised contemporary Paris, and the novel is very much about how Parisians live now. The past is also important, not only as the source of a revered aesth ... (read more)
Cath Kenneally’s second novel, Jetty Road, is set in the beachside suburb of Glenelg, South Australia. Her subject is the relationship between two sisters in early middle age, and the narrative is fabricated from the daily happenings of their lives. Evie, the older sister by several years, has no children and ekes out a living in a number of part-time jobs as a child-care worker. Paula, matron o ... (read more)
Barry Oakley, in his brief introduction to Families: Modern Australian Short Stories, tells us that the quality he was seeking in the fiction was ‘vitality’. This seems a rather broad filter: surely all good writing must possess vitality if it is going to hold the reader’s attention? Notwithstanding, many of the stories here are good, even excellent.
Although some of the less well-known wri ... (read more)
Steven Lang has a fine sense of the Australian vernacular and creates believable characters. This novel forges a new genre (maybe it’s just new to me): the environmental thriller. Protagonist Kelvin was a street kid and rent-boy in Kings Cross. Now twenty-one and beautiful, he fetches up, after years of aimless drifting and casual work in remote locations, in his home town of Eden, which he fled ... (read more)
In this novel, Victoria Hammond, an art historian, describes the architecture, painting and music of Naples in the early modern period, and, more generally, excels at what anthropologist Clifford Geertz calls ‘thick description’. The context of The Devil and Maria d’Avalos is late sixteenth-century Naples, and the narrative brims with historical specificities. The author’s preface informs ... (read more)
Rhyll McMaster established her considerable reputation as a poet in the 1970s and 1980s. Feather Man is her début novel. In a first-person narrative, the protagonist recounts her life story from the time when she was a child living in suburban Brisbane in the 1950s until her emergence as a painter in London in the 1970s. It is a Kunstleroman divided into four parts, each named for a signifi ... (read more)
The Gospel of Gods And Crocodiles rewrites the boys’ own adventure tale of the nineteenth century. In an intertextual gesture, R.M. Ballantyne’s The Coral Island (1857) is the favourite book of one of Elizabeth Stead’s main characters. The thrill of conquest and the titillation of cannibal atrocities typical of Ballantyne’s imperialist fiction are thus replaced by a humanitarian concern wi ... (read more)
Aphelion can be called a family epic in that it is long and has many characters. The title of the novel refers to the sun; a character explains that ‘there is a point in astronomy when a planet is at its furthest point from the sun, the slowest point in its orbit. It’s called aphelion. I guess it’s the darkest point.’ In this, her second novel, Emily Ballou uses overlapping and intersectin ... (read more)