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Theatre

A Streetcar Named Desire 

Redline Productions
by
09 June 2023

For fans of Tennessee Williams and this most famous of his plays, this production (directed by Alexander Berlage and produced by Redline Productions) is superb! Buy a ticket now, for the shoebox theatre of the ‘Old Fitz’ can seat only fifty-five people and, like the candles of a Tennessee Williams imaginary, this show will burn brightly, but only for a short time.

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Do Not Go Gentle 

Sydney Theatre Company
by
31 May 2023

Do Not Go Gentle, presented by the Sydney Theatre Company, is a marvel of a play, and this is a marvel of a production. Patricia Cornelius’s words, spoken by Scott of the Antarctic and his ragtag bunch of fellow travellers, are poetic, quixotic, trenchant, and potent. The liminal space offered by the ice and the snow of the setting takes the characters deep into their own psychic extremities. They become ruminative, playful, despairing, and libidinal as they encounter the limits of their physical and emotional capacities. They yearn for the ever-elusive South Pole, seeking to reach an end that promises liberation and obliteration.

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Worstward Ho 

Victorian Theatre Company
by
26 May 2023
It is a curious fact that perhaps the most famous lines in all of Beckett are contained in one of his least-known works, the 1983 prose piece Worstward Ho. ‘All before. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.’ ... (read more)

Loaded 

Malthouse Theatre
by
15 May 2023
Christos Tsiolkas’s début novel Loaded (1995), the story of a single, debauched night in the life of nineteen-year-old Greek-Australian queer man, Ari, is no stranger to being given fresh life in new mediums. In 1998, it served as the basis for the film Head On, a breakthrough for director Ana Kokkinos and star Alex Dimitriades, even as its sexual explicitness proved controversial. ... (read more)

Happy Days 

Melbourne Theatre Company
by
08 May 2023
A middle-aged woman, Winnie, is buried to her waist in the middle of a mound, amidst a dry, monotonous expanse while the scorching sun beats down. It is one of Beckett’s indelible theatrical images. She finds solace in her handbag, where she uncovers a domestic detritus that affords her the rituals and distractions that help her endure: comb, toothbrush, mirror, hat, music box. ... (read more)

Vale Barry Humphries

by
24 April 2023
Barry Humphries loved telling a story concerning a visit he and the painter David Hockney made to an art exhibition held at the Los Angeles County Museum of Art in 1991. What drew them there was a reconstruction of the Entartete Kunst (Degenerate Art) exhibition the Nazis had assembled in Munich in 1937 to help validate and promote their racial ideology. ... (read more)

Julia 

Sydney Theatre Company
by
17 April 2023

First things first, the audience loved it. As Julia Gillard, in a performance that blended naturalism and impersonation, Justine Clarke held the crowd in the palm of her hand. They swooned and sighed to the wholesome depiction of Gillard’s working-class Welsh parents and cackled at the pleasurable jokes made at the expense of Kevin Rudd, Mark Latham, and John Howard.

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Into the Woods 

Belvoir St Theatre
by
24 March 2023
Into the woods to get the thing /That makes it worth the journeying.’ Belvoir is luring us into the dark mysterious forest, the setting of so many fairy tales and of Stephen Sondheim and James Lapine’s 1987 musical, Into the Woods. ... (read more)

Bernhardt/Hamlet 

Melbourne Theatre Company
by
10 March 2023
More than a century ago, long before gender-blind casting became modish, the incomparable Sarah Bernhardt (1844–1923), a woman in her fifties, had the audacious idea that she would play Hamlet. Not only would she – scandalously – don breeches to do so, but she would also defy the critical consensus that Hamlet was a man in his early thirties. ... (read more)

The Goat, Or Who Is Sylvia? 

Sydney Theatre Company
by
06 March 2023
In a tastefully designed, beautifully arranged living room, a couple are engaging in the sort of mildly erotic verbal jousting in which long and happily married couples might indulge. They are Martin Gray, a Pritzker Prize-winning architect, just turned fifty, who has been chosen to design a futuristic, two-hundred-billion-dollar World City and his, in his words, bright, resourceful, intrepid wife, Stevie. ... (read more)