Visual Arts

I had never pondered the influence of Lewis Carroll’s stories, Alice’s Adventures in Wonderland (1865) and Through the Looking Glass, and What Alice Found There (1871). This left me completely unprepared for Wonderland, the Australian Centre for the Moving Image’s latest Melbourne Winter Masterpieces exhibition ...

Although this not-to-be-missed offering from the National Gallery of Victoria has been billed as a ‘two-part exhibition’, it is a much more complex entity than that. In the words of the three lead curators – Cathy Leahy, Judith Ryan, and Susan van Wyck – it ‘explores different perspectives on Australia’s shared history in ...

In a seminal essay titled ‘Grids’ (1978), the American art theorist Rosalind Krauss argued that, as a structure, the grid was emblematic of modernist ambition, encapsulating modernism’s streamlining project through the expunging of forms and conventions extraneous to it. The grid embodied a kind of will to silence ...

The final week of February in Australia means, among other things, that another summer is almost over. Yet in contrast to the fleeting nature of lived experience, a new exhibition at the Art Gallery of Western Australia calls attention to the enduring power of art to capture and convey human passions ...

One of France’s great treasures, the five-hundred-year-old, six-panel tapestry series called The Lady and the Unicorn, is in Australia for four months, courtesy of some fortuitous inter-museum contacts, and deft work by the Art Gallery of New South. A loan of such significance usually takes years to negotiate. This one was ...

Translation can be an art or a craft; seldom simple, it is often unappreciated. We tend to forget that the global community of ceaseless interconnectivity could not exist without translation, or bilingualism. Without translation there is Babel, but with its quiet, endless grinding, translation brings down walls and creates porous ...

The map of In Cahoots is a tracery of journeys made by road and air, like songlines traversing the continent, speaking to points of departure, conjunction, and communion, and to the central theme of the project: communication. Involving six Aboriginal art centres partnered with five individual artists and one ...

The four solo survey exhibitions currently staged at NGV Australia as its Summer 2017–18 program emphatically delineate the institution’s position on contemporary art. While the juxtaposition is headily abrasive, the aggregate speaks plainly of certain attributes that it is keen to foreground. Contemporary art, embodied by this ...

Opera is not a small artform. It is labyrinthine, multi-faceted, fraught with things that can go disastrously wrong (Wagner, especially), and it can be dreadfully expensive, formidably divisive, and astonishingly complicated. At the same time, opera is so necessarily crucial to culture as a reflection of history, thought, and ...

This exhibition has a clear aim – to prove that Robert Mapplethorpe ‘is among the most significant artist of his time’. The evidence marshalled by the curators at the Los Angeles Country Museum of Art and the J. Paul Getty Museum is substantial. They have conducted extensive research, sourced outstanding vintage prints ...