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History

Barbara Cummings’s history combines archival research, interviews with her peers, and autobiography to declare the common experiences of an Aboriginal sub-culture, the ex-inmates of the Retta Dixon Home in Darwin. She deems it ‘a first step in our healing process’. It is also an outstanding contribution to feminist and Aboriginal history.

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It’s a lovely idea – to go among the scientists in a pith helmet, learn their lingo, suss out what’s really going on behind the myths of cool objectivity. Like any other major human undertaking, science is a matter of interests, conscious or covert, set by policy and ideology alike. Such factors are all too easily accepted as inevitable and innocent; think of the male-dominated, reductive cast of traditional laboratory practice.

During the last decade, a kind of anthropology of urban subcultures has arisen, abandoning the highly romanticised jungles of the Third World to colonise the offices and labs of our own. Exchanges between participants are explicitly treated not as an ethnographic resource to be taken at face value, but as a topic for sceptical investigation.

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Mr Jackson’s book narrates his experience and that of a friend as prisoners of the Japanese in Thailand during World War II. It is neither a good nor memorable book, but it does raise, however unintentionally, significant issues. In a nation still bereft of a civil religion, that amalgam of myths and tales of heroes which defines a country’s sense of self and values, the experiences described by Mr Jackson should be honoured.

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Anyone interested in Aboriginal history or race relations will probably be familiar with the work of Henry Reynolds. His books include The Other Side of the Frontier (1982), Frontier (1987), and The Law of the Land (1987). This latest book is a collection of documents, ones that provided much of the source material for Reynolds’s earlier works. In this book, he tell us in the preface, ‘our forebears speak for themselves and speak in many voices’.

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In some ways, John Hirst presents his tale of colonial New South Wales as if it were a book for today. In the preface he comments: ‘But why should we care what it was like? – because in many fundamentals this is the political world we still inhabit.’ This theme is sketched and hinted at several times in the text but it is never argued in a systematic and rigorous manner. What are we to make of the claim?

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What Revolution? The title’s a teaser! Echoes of Lefty/Godot? You’ll understand if I’m infected by Noel McLachlan’s prose. On page after page, sentences and semi-sentences addressing the reader informally/colloquially (even verblessly!), rich in apostrophes, italics, parentheses, sloping lines between pairs/triads, even quartets/quintets, of words, ending often with exclamation marks and (nine times on one page I’ve counted!) question marks.

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Staining the Wattle is the fourth volume of a series edited by Verity Burgmann and Jenny Lee collectively entitled A People’s History of Australia since 1788. People’s history, as understood by Burgmann and Lee, is not popular history, that is to say history written to be of interest to the general reader. This book actually makes very dull reading. Nor is it exactly, at least to judge by this volume, social history, that is to say history dealing with the lives of ordinary people. This book is about politics. People’s history, as understood by Burgmann and Lee, seems, rather, to be ideologically useful history; history as a weapon of social change, as a means for the unmasking of the forces of oppression which have shapes, and for the glorification of the forces of progress which have struggled to reshape, Australian history.

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Narrative history, the sort that tells a story starting at one point in time and ending at a later point, is now out of favour. Some write sociological history focused on class, gender, race, or the family. Others prefer the slice approach concentrating in depth on specific years, or the semiotic spatial history of Paul Carter’s The Road to Botany Bay. Before all else there must be a Theory.

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La Mama: The story of a theatre by Liz Jones, Betty Burstall, and Helen Garner

by
August 1988, no. 103

The most impressive building in the village of Tepoztlán, near Cuernavaca, is a huge sixteenth century Spanish monastery. But high up on the cliffs, when the mist rises, you can see – if you know where to look – a tiny Indian temple which everyone in the valley knows is where the gods really live.

La Mama is like that – to those who know it. But even the watchers on the bank know that theatre is built on a foundation of human sacrifice, so it is not surprising that La Mama should, on close inspection, turn out to be a regular little charnel house, a bloody altar on which all sorts of queer and callous rituals are performed in the hope of raising up the great gods Laughter and Applause. Apparently I sacrificed a wife and child there myself.

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The Chief Justice of New Zealand opened his recent judgment on the attempts to suppress the book Spycatcher by Peter Wright with the comment that it was ‘probably the most litigated book in all of history’. That may be correct; although I suspect that the Bible may yet have a slight edge.

The Bible was probably the first book carried from the ships of the First Fleet when they anchored in Sydney Cove in January 1788. From reading the catalogue which accompanies this exhibition, I get the impression that the Rev. Richard Johnson – sent to this country by an organisation with the engaging name of the Eclectic Society – was rather like those annoying people who nowadays clamber aboard a jumbo jet struggling remorselessly on with the entirety of their worldly possessions. Johnson was just such a man. He carried with him no less than 100 Bibles, 350 New Testaments, 500 Psalters, 100 Prayer Books and 200 Catechisms – all made available to him by the Society for Promoting Christian Knowledge. Amongst his most precious possessions were twelve copies of Bishop Thomas Wilson’s An Essay towards an Instruction for the Indians. Sadly, guns and hangings all too soon quickly replaced words and books in the relationship between the newcomers and the indigenous inhabitants of the Great South Land.

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