Peter Pierce
Peter Pierce (1950-2018) was an Honorary Professor at Monash University. He edited The Cambridge History of Australian Literature and had been chief judge of the Prime Minister's Literary Award for Fiction for the many years. Among his other books are From Go to Whoa: A Compendium of the Australian Turf; Australian Melodramas: Thomas Keneally's Fiction; and The Country of Lost Children.
When it was first published, Tasmanian army nurse and prisoner of war Jessie Simons entitled her memoir of captivity While History Passed (1954). It was reissued as In Japanese Hands (1985). This was one of the numerous autobiographical works produced after their ordeal by POW survivors, whether they were driven by an enduring hatred of their captors (Rohan Rivett, Russell Braddon) or by a strivin ... (read more)
A nation at war is a less than gripping tide, although it is suggestively ambiguous. Australia was at war in Vietnam for most of the decade covered in Peter Edwards’s book. In senses chiefly, but not wholly, metaphorical, it was also a society ‘at war’, divided over conscription and the commitment of troops to Vietnam. The excellent cover photograph illuminates the latter implication of Edwa ... (read more)
‘Those bastards at Oxford,’ Barry Andrews fulminated ten years ago (he had in mind one or two in particular) ‘are trying to make us cut 200,000 words from the book!’ The ‘book’ was the first edition of the estimable The Oxford Companion to Australian Literature. The ‘bastards’ had miscounted and the text survived more or less in full. Now, nine years after its first publication, th ... (read more)
Writing novels, he’s Tom Keneally. Works of history – such as The Great Shame (1998) about the Irish diaspora to the USA and Australian in the nineteenth century, and this year’s American Scoundrel, concerned with the adventures of politician, general and amorist Dan Sickles – are by Thomas Keneally. There is more doubling in Keneally’s most recent novel, for he uses two titles. In this ... (read more)
Late in November 1916, the German commerce raider Wolf, laden with 100 tonnes of mines, set out on a journey of 100,000 kilometres across three oceans. After the ship reached home, in February 1918, 442 days later, its guns and mines had destroyed more than twenty Allied vessels. Hundreds of their crews and passengers had been held captive. When the voyage of the Wolf began, German U-boats were si ... (read more)
In September 1943, seventeen commandos of Z Special Force, led by Lieutenant Commander Ivan Lyon, attacked and sank with limpet mines seven ships in the Singapore harbour. A year later, in October 1944, when the Pacific War had only months to run, a repeat performance failed and all those involved were either killed in action or executed by the Japanese. Though these events provide the basis for T ... (read more)
In Alex Miller’s latest novel, Journey to the Stone Country, we are not in Carlton for long before being taken far to the north, to Townsville, and then inland to country that few Australians know. The short first scene is handled with dispassionateness and economy. Melbourne history lecturer Annabelle Beck comes home to find that her husband, Stephen Kuenz, has deserted her for an Israeli-born ... (read more)
Between the wars, the dominant mode of Australian fiction was the saga: tales of land-taking and nation-building, melodramas within families across generations, characters shaped by loneliness and obsession, struggles against fire, flood, and drought, and the anguish of married life. In the fiction of Eleanor Dark, ‘M. Barnard Eldershaw’, Xavier Herbert, ‘Louis Kaye’, and Brian Penton amon ... (read more)
Of the fate of Australian prisoners of war in the hands of the Japanese during World War II, the literature – memoir, fiction, history – is voluminous. There were 21,652 of them, of whom thirty-five per cent, or 7780, perished. A good deal has also been written of enemy prisoners – Japanese, German, Italian – who were held in camps in this country, and in particular of the mass breakout at ... (read more)