In the epilogue to the latest, massive contribution to his populist and nationalist enterprise, Charles Kingsford Smith and Those Magnificent Men, Peter FitzSimons laments that ‘the true glory days of the pilot are substantially gone’. He charts an heroic, pioneering age of aviation. The ‘magnificent men [in their flying machines]’ include not only the Australians, Kingsford Smith and his ... (read more)
Peter Pierce
Peter Pierce (1950-2018) was an Honorary Professor at Monash University. He edited The Cambridge History of Australian Literature and had been chief judge of the Prime Minister's Literary Award for Fiction for the many years. Among his other books are From Go to Whoa: A Compendium of the Australian Turf; Australian Melodramas: Thomas Keneally's Fiction; and The Country of Lost Children.
In 2006, forty years after the publication of his first novel, Rappaport, which featured the comic misadventures of a Melbourne Jewish antique dealer, Morris Lurie was awarded the Patrick White Award. He is one of those remarkably durable Australian writers who have extended their careers into a fifth decade. Principally known as a short story writer, published widely in Australia, but also in the ... (read more)
The central contention of Kim Torney’s Babes in the Bush: The making of an Australian image is that ‘the lost-child image continues to resonate with Australians’. The cover illustration is from Frederick McCubbin’s famous painting Lost (1886), which Torney elevates to ‘the iconic image of the lost child story’. The task set out in these assertions, and iterations of them, is to find wh ... (read more)
For a while it seemed that the reign of the saga novel, a form once so vital for narrating and propagandising the Australian past, was over. The pugnacious Xavier Herbert was now a wandering shade; Colleen McCullough had removed herself to Norfolk Island; Eleanor Dark and ‘M. Barnard Eldershaw’ belonged to a literary history known to too few. The saga had ceded its cultural place to the televi ... (read more)
Five of Laurie Moore’s ancestors were in the party that finally captured Jimmy Governor in October 1900, ninety-nine days after his murderous onslaught on the Mawbey family. He and his wife have assiduously traversed the terrain of the manhunt for Jimmy and his brother Joe. Moore’s book, The True Life of Jimmy Governor, written in conjunction with Stephan Williams, is an admirable amateur labo ... (read more)
In the literature of Australia, our vast and mysterious nearest neighbour – now Papua New Guinea – has had a more significant place than is usually recognised. It was in this country that James McAuley saw war service and later converted to Catholicism. About New Guinea he wrote some of his most beautiful poetry, as when he summoned a bird of paradise to ‘[leave] your fragrant rest on the su ... (read more)
No more critically acute or challenging collection of essays on the subject has been published than Ken Stewart’s modestly titled Investigations in Australian Literature. Yet the author’s personality is not similarly subdued. The Stewart known in person to many readers of ABR emerges unselfconsciously: erudite but undogmatic, rueful and witty, a touch dishevelled, one of the most beguiling and ... (read more)
Much loved public characters who venture into fiction in their mature years are, of course, on a hiding to nothing. Their apprenticeship, their experiences, their intuitions have all been spent or deployed elsewhere. In the case of Robyn Williams, these were as a distinguished science reporter and analyst for the ABC. The knowledge and opinions that he gathered there have been brought to the makin ... (read more)
In her fourteenth novel, in a career that began in 1980 with Fortress, Gabrielle Lord returns to the series of books that feature the troubled and trouble-attracting private investigator, Gemma Lincoln. Shattered, the fourth in the series, is the most densely and effectively plotted of them. Gathered here are key people from earlier novels: Gemma’s lover, the undercover policeman Steve Brannigan ... (read more)
Ten years in the making, Matthew Condon’s vibrant modern epic, The Trout Opera, has been worth the wait. It has an expansiveness and generosity of spirit that has become uncommon in Australian fiction (unless we think of an altogether different book, but on a similar scale, Alexis Wright’s Carpentaria, 2006). Sent in 1996 to report on the slow death of the Snowy River, Condon met the storied o ... (read more)