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Joshua Black

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Lake Pelosi

‘Where is Nancy?’ Paradoxes in the pursuit of freedom

by Marilyn Lake

This week on The ABR Podcast, Marilyn Lake reviews The Art of Power: My story as America’s first woman Speaker of the House by Nancy Pelosi. The Art of Power, explains Lake, tells how Pelosi, ‘a mother of five and a housewife from California’, became the first woman Speaker of the United States House of Representatives. Marilyn Lake is a Professorial Fellow at the University of Melbourne. Listen to Marilyn Lake’s ‘Where is Nancy?’ Paradoxes in the pursuit of freedom’, published in the November issue of ABR.

 

Recent episodes:


Journalist Peter Rees’s biography of Tim Fischer was originally published by Allen & Unwin in 2001 with the title The Boy from Boree Creek. Reviewing the volume in this magazine, fellow journalist Shaun Carney had many kind words for Fischer, but said that the book was ‘either a lesson in the wonders of our democracy or a cautionary tale demonstrating the mediocrity of our public figures’ (ABR, June 2001). The subject was a ‘decent, determined, and hardworking person’, Carney wrote, but one who left the National Party in ‘a seemingly permanent existential crisis’.

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John Farnham: Finding the voice 

Beyond Oz
by
05 June 2023

John Farnham nearly missed the launch party for his most successful album, Whispering Jack (1986) – he was stuck on a couch in a foetal position. He was under immense pressure. His three-year stint as lead singer of Little River Band (LRB) had left him saddled with some of LRB existing debt. Whispering Jack was clearly his last chance to show the world the kind of artist he thought he could be.

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Scott Morrison needn’t waste time writing a political memoir: the work of self-vindication has already been attempted on his behalf by Simon Benson and Geoff Chambers, both columnists at The Australian, in their now highly controversial book Plagued: Australia’s two years of hell – the inside story. Theirs is a largely heroic story about Morrison’s leadership, which ‘served the nation well’ amid a ‘most extreme period of adversity’.

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Ms Represented 

ABC iView
by Michelle Staff and Joshua Black
30 August 2021

12 March 1921: after four weeks of hard campaigning as a Nationalist candidate in the Western Australian state election, Edith Cowan received the news that she had won the seat of West Perth by forty-six votes, making her Australia’s first ever woman parliamentarian. Cowan was shocked: initially she didn’t want to run and discounted her chances of success. As the sole winner among five women candidates across the state, Cowan saw hers as a victory for all women. She used her new position to build on the social welfare and reform work in which she had been involved since the 1890s, promoting motherhood endowment, sex education, migrant welfare and infant health centres. Though her time in office was short (1921–24), Cowan had made history in taking a seat at the parliamentary table.

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‘Orange balloons. Orange streamers. Orange shirts.’ Cathy McGowan’s memoir is saturated and literally wrapped in the colour. Cathy Goes to Canberra begins with an account of the election of her independent successor as Member for Indi, Dr Helen Haines, in May 2019 – ‘with orange everywhere’.

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In today's episode, Joshua Black reads his tribute to former Labor senator Susan Ryan, featured in our November issue. Ryan was a historic figure in Australian politics: she was the first woman from the ALP to serve in cabinet, and cemented her legacy with the Sex Discrimination Act (1984) – which prohibited sexual discrimination in the workplace. Here, Black recounts his interview with the pioneering politician only weeks before her death on 27 September 2020.

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Susan Ryan was a formidable storyteller. Her stories communicated her values and her world view, her commitment to the pursuit of a more egalitarian society. Hers was a powerful form of communication, capable of questioning and challenging the inadequacies of the masculinist, class-exclusive ‘fair go’ of postwar Australian society.

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