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Tracy Ellis

The ABR Podcast 

Released every Thursday, the ABR podcast features our finest reviews, poetry, fiction, interviews, and commentary.

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Bornstein

Feeding the beast: On corporate cancel culture

by Josh Bornstein

This week on The ABR Podcast, Josh Bornstein discusses corporate cancel culture. Bornstein argues that ‘Companies now routinely censor their employees far more repressively than any liberal democratic government does’. Josh Bornstein is an award-winning workplace lawyer and writer. His first book, Working for the Brand: How corporations are destroying free speech was recently published by Scribe. Listen to Josh Bornstein’s ‘Feeding the beast: On corporate cancel culture’, published in the November issues of ABR.

 

Recent episodes:


In his book Bereavement: Studies of grief in adult life (1972), psychiatrist Colin Murray Parkes wrote: ‘The pain of grief is just as much a part of life as the joy of love; it is, perhaps, the price we pay for love, the cost of commitment.’ His words received a royal edit when Queen Elizabeth II, speaking at a memorial for the victims of 9/11, said, simply: ‘Grief is the price we pay for love.’ Being the queen, she could take such a liberty, denying Parkes his preamble and his ‘perhaps’. She whittled his words into a more essential and potent truth at a time when it was needed (if there’s ever a time when it’s not), ‘queensplaining’ his question as a comforting answer to the bewildered and bereaved.

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This week on the ABR Podcast we feature the 2023 Calibre Essay winner, ‘Flow States’, by Tracy Ellis. ‘Flow States’ begins with a single drop of water produced by a household tap left running. From here, Ellis crafts a tale on the obliterative power – real, existential, and metaphorical – of floodwater. Tracy Ellis, a Sydney-based editor, was the winner of the 2022 ABR Elizabeth Jolley Short Story Prize and thus becomes the first writer to win two separate ABR prizes. Listen to Tracy Ellis read ‘Flow States’. ... (read more)

Sydney writer Tracy Ellis is the winner of the 2023 Calibre Essay Prize. Her name will be very familiar to ABR readers: Tracy won the 2022 ABR Elizabeth Jolley Short Story Prize for her story 'Natural Wonder'. (She is the first person to win both Calibre and the Jolley Prize.)

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When Wheel left his jeans to soak in the bathroom sink one morning, he didn’t notice that the tap wasn’t quite turned off. He went out for the day and while he was gone, a clear, almost invisible, wire-thin needle of liquid continued to flow. It would have looked static, like an icicle, far from voluminous. But it was insistent, continuous. In his absence the trickle turned into a flood. It overflowed the sink and then the bathroom of the third-floor apartment. It crept silently down the hall into the bedroom and the built-in cupboards, blooming inside document boxes in search of absorbent substances. It was drawn through the diaries and notebooks where I, his partner of many years, had documented my adult life. The water seemed to soak my belongings specifically, as if it was coming for me, trying to wash me away. It left tea-coloured tide marks on my charcoal drawings and filled my shoes with puddles in the bottom of the wardrobe.

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In this year’s ABR Elizabeth Jolley Short Story prize, we received more than 1,300 entries from thirty-six different countries, a testament to ongoing international interest in the Jolley Prize and ABR. Writers explored themes and topics including the pandemic, climate change, grief, desire, parenthood, and community. In this week’s podcast, the three finalists read their shortlisted stories: ‘Dog Park’ by Nina Cullen, ‘Natural Wonder’ by Tracy Ellis, and ‘Whale Fall’ by C.J. Garrow. They are briefly introduced by Jolley Prize judge and ABR Deputy Editor, Amy Baillieu.

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In the stillness, after the fireworks, I stood for a while at the window. The bay below was crammed with the pretty lights of marine craft and it looked as though you could step from one boat to another, all the way across the harbour.

‘Why don’t I do that?’ I thought, and stayed there for some time, plotting my passage across the decks and bows.

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