Review

A couple of years ago I attended the patronal festival at St James’, King Street, Sydney. The preacher was the Dean of Newcastle, who, after the blessing, opened with ‘Greetings from across the Chasuble Belt!’ The large congregation erupted into laughter, then settled in for twelve minutes of civil gospel. This is because Sydney Diocese, alone in the Anglican Communion, requires its clergy to sign an understanding that they will not wear Eucharistic vestments, including the chasuble. The ban is but one outward and visible control mechanism of an inward and enclosed evangelical attitude that typifies the power play within the diocese.

Books on globalisation abound, to the point that it has become difficult to say anything new about the issues at stake. But despite this challenge, Tom Nairn and Paul James manage to add substance to the debate. They do so by rethinking the relationship between nationalism and globalisation. The defining feature of this engagement is the authors’ attempt to circumvent what they believe is a very polarised debate.

Elizabeth Jolley’s many admirers will be delighted with this new collection of autobiographical fragments, philosophical pieces, short fiction (some previously unpublished) and a number of rarely seen poems. It is designed, according to its editor, Caroline Lurie, to demonstrate the ways in which Jolley channelled her life story into her fiction, creating ‘something more revealing, more artistically truthful than a conventional autobiography’. Given Jolley’s age and circumstances, this collection could well contain her final comments on the writing process, as well as on the larger questions of exile, love and loneliness.

It is painful to read Eddie’s Country, a book that takes the reader beyond the formality, the statistics and the mind-numbing complexity of the Australian Royal Commission into Aboriginal Deaths in Custody held between 1987 and 1990. Instead, we are called to bear witness to the frustration and grief endured by one family as it sought answers to questions arising from the unexpected death, in police custody, of Eddie Murray.

Why does ANZAC day seem more popular now than forty years ago? Despite the thinning ranks of veterans, attendances at dawn services in most capital cities are up, crowds at the marches are large and enthusiastic, numerous historians and former members of the armed services seem to be running profitable battle-field tour businesses, and the desire of young Australian backpackers to include Gallipoli (particularly on Anzac Day) in their itineraries increases every year. This popularity is even more remarkable given that in the 1970s and early 1980s Anzac Day was a source of controversy and dissent: anti-war protestors, Vietnam veterans who felt excluded from the national ethos, indigenous Australians who felt their wars were overlooked and feminists determined to highlight the problem of women raped in war, all saw this national day of commemoration as an occasion to press their cause. The RSL did not respond well to these attempts to undermine the sanctity of the day. The re-emergence of Anzac Day as a site for unity and cohesion, particularly amongst younger Australians, is intriguing.

Philistinism and anti-intellectualism enjoy each other’s company so much that it can be bracing to be reminded that it is possible to be both an intellectual and a philistine. That, at least, was a charge levelled at the British Fabians by some former members of the Fabian Society – and by some historians too quick to take those apostates at their word. The Fabians had unimpeachable intellectual credentials, but their preoccupation with policy, the mechanics of municipal and national government, and strategies for getting their policies implemented (initially by ‘permeating’ existing political parties, and later, in the case of Beatrice and Sidney Webb, through the Labour party) was such that they could appear ascetic and unmoved by the pleasures – and the potential – of literature and the arts.

David Crystal has written numerous books on language – ‘over 100’ proclaims the cover blurb. In the chapter titled ‘Wordbirths’, Crystal muses on how rare it is to know who created a new word. In this regard, at the Australian National Dictionary Centre we have been tracing the term barbecue stopper, which is first recorded in the Sydney Morning Herald, 27 October 2001: ‘That’s one reason he [John Howard] will talk about improving the balance between work and family, a topic he describes as a “barbecue stopper” because it engenders so much conversation whenever people get together.’ Did the prime minister invent the term, or was it the creation of his speechwriter?

While I was reading this book, news came that Peter Casserly, the last surviving digger who fought on the Western Front in World War I, had died, aged 107. Like Marcel Caux, who died in 2004, aged 105, Casserly always repudiated the Australian glorification of Gallipoli, refusing to participate in Anzac Day marches, join the RSL or even to talk about his wartime experiences. Yet after eighty-seven years of silence on the subject, Casserly had not forgotten the language that diggers used in 1917. The Sydney Morning Herald report of his death quoted from an interview he gave. ‘Another time Fritz derailed a train with English soldiers on board,’ he recollected, adding that, ‘Jerry was always trying to blow up the train with all its ammo.’ The soldiers’ terms to refer to their enemy, the Germans (or ‘the Hun’, as it pleased supporters of the conflict to say then), were Fritz, the pet-form of the common German given name Friedrich, and Jerry, an English pet-name that echoed the word German. Likewise, the Turks were called Abdul and Johnny Turk.

However respectful its intentions, literary biography invariably takes on the character of a siege, laid by oneself against another. Every biographical subject, unwittingly or not, builds fortifications to repulse such invaders, and George Bernard Shaw (1856–1950) was no exception. He did, however, adopt a characteristically sly defence. His castle was regularly open to the public. Inside, he would be on hand to guide visitors through its rooms, an amusing if distant squire, knowledgeably arguing the architectural merits of his own, not insubstantial, additions, and giving the punters their money’s-worth with polished tales of eccentricity, debt and alcoholism for each of the family portraits. He was both garrulous curator and living artefact in a museum of his own design.

In her essay in this collection, Jenna Mead quotes from the work of a co-contributor, the Australian medievalist David Matthews. He tells a story which is likely to resonate in the memories of many of us who have, by choice or otherwise, studied medieval culture at university in this country. His tutor at the University of Adelaide, in the course of a seminar on Sir Gawain and the Green Knight, asked the class about the famous line which describes Bertilak’s castle: ‘Towres telded bytwene, trochet ful [th]ick.’ ‘Where might the nearest example of such an architectural feature be found?’ The class, suspecting some academic trick, fell silent, not making the imaginative connection to the tower of the administration building ‘about two hundred yards away’.