Best known for films such as Robocop (1987), Basic Instinct (1992), and Showgirls (1995), the Dutch director Paul Verhoeven has made his name as a provocateur whose lurid social satires are infused with campy violence and heady eroticism. Having tackled the American military-industrial complex and the Las Vegas sex industry, Verhoeven now takes on an even bigger institution: the Catholic Church. His new film, Benedetta, charts the fallout from the liaison between two young nuns in a seventeenth-century Italian convent. In this week’s podcast, listen to Miles Pattenden read his review of the film for ABR Arts. As Pattenden notes, ‘those who buy their tickets for the soupçons of Sapphic frottage are unlikely to be disappointed’.

Miles Pattenden is Senior Research Fellow in Medieval and Early Modern Studies at Australian Catholic University in Melbourne.

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