Anthony Lawrence

These strange years of pandemic and lockdowns certainly brought challenges and unusual experiences – those of constraint but also, surprisingly, of opportunity and richness. The curious spaces we occupy in the ether have become a seedbed for conversation and exchange; for connections that otherwise might not have found a field in which to prosper. Despite or perhaps because of the limits of the digital, perhaps even because we were undistracted by physical proximity, these spaces seemed to offer the potential for a raw honesty – lacunae of sotto voce conversations which brought us ironically into a form of seemingly unmediated communication. From the hermetically sealed bubble of lockdowns, digital connect took on the intensity of embodied dialogue, the intimate voice in the ear.

The list is long, and takes the scenic route, from Homer to Hill, on to Plath / and Sexton, Murray, Adamson, and many I’ve forgotten. An overgrown path / with signposts lit or down, pressing on by star or map light, word of mouth / or accidental find. Influence is confluence, where shock of emotion / meets quiet thought. I follow leads, read every day, avoiding emoticons. 

Australia has a stylish new poetry press. The two books reviewed here by Life Before Man, the poetry wing of Gazebo Books, preference book cover art and poem above all the usual paraphernalia: publishing details, barcodes, author notes – even the epigraph – are tucked into a back page, and there are no apparently distracting contents pages or page numbers. Most of the poems sit neatly on the right side of the page with a private blank beige page buffer. There’s orientation in a contents list, and I trust the poets have a choice about whether they want one. That said, there’s a holiday-like liberation in slipping through unmoored. It’s a subtle reading experience, but do these aesthetic somewhat precious innovations justify the use of extra paper?

Anthony Lawrence is the winner of the 2022 Peter Porter Poetry Prize worth a total of $10,000. This was announced at an online ceremony on January 19.

Anthony receives $6,000 for his winning poem, 'In the Shadows of Our Heads', while the four other shortlisted poets – Chris Arnold, Dan Disney, Michael Farrell, and Debbie Lim – each receive $1,000. The full shortlist, including the winning poem, is available to read online and is published in the January–February issue of ABR. 

'Having mastered the art of using magnets / in discretionary acts / like making a pencil / float above a table ...'

You wouldn’t think to look twice: no high fence
crowned with broken glass, no security guard
heavy with boredom and a lanyard of keys.

ABR is pleased to present the shortlist for the 2022 Peter Porter Poetry Prize, which this year received 1,328 poems from thirty-four countries. Congratulations to those who reached the shortlist: Chris Arnold, Dan Disney, Michael Farrell, Anthony Lawrence, and Debbie Lim. Each of their poems is listed below in alphabetical order by author. For the full longlist, click here.