Archive
Alison Broinowski reviews 'The Monkey and the Dragon' by Linda Jaivin
How seriously do we take an author who, in her mid-forties, writes about ‘street cred’, calls a department store ‘humungous’ and, discussing Deng Xiaoping’s reforms, asks: ‘Bourgeois decadence? Hel-lo.’? Linda Jaivin studied one of the world’s most difficult languages in Taiwan, Hong Kong and the People’s Republic of China, and, as a scholar and journalist, published perceptive analyses of China. Then she turned to fiction and biography.
... (read more)Peter Beilharz reviews 'Hughes' by Andrew Riemer and 'Ellis Unpulped' by Michael Warby
Sydney, as everybody knows, is Australia’s world city, always has been. It offers the urban metonym – Opera House sails – which, together with Uluru, is Australia to the outside world. And it generates, or generated, a particular kind of intellectual, the Sydney larrikin, rogue male. These books claim to cover two such, Bobs Hughes and Ellis. How might we receive them?
... (read more)Judith Armstrong reviews 'Confessions of a Clay Man' by Igor Gelbach
The Russian theorist Yuri Lotman said: ‘Plot is a way of understanding the world.’ On this basis, texts with plots – novels, for example – do more for us than texts without plots. The telephone book, for example, a plotless text par excellence, may promote aspects of communication, but adds little to our attempt to make sense of life. However, Igor Gelbach, a Georgian Russian now living in Melbourne, has challenged this concept with his thought-provoking but virtually plotless novel, Confessions of a Clay Man, which may be narrative in shape but is highly poetic in procedure. At first reading, it is rather mystifying, the story so fabulised that you tend to lose it and concentrate on the word-pictures, which manage to make a completely unknown place hauntingly evocative, as though you had once dreamed about it. Like Goethe’s ‘Land wo die Zitronen blühn’, we can’t know it, but we feel as though we do. Gelbach’s seaside town resonates with a similar, impossible familiarity.
... (read more)Nicolette Stasko reviews 'Parachute Silk' by Gina Mercer
There is little doubt that few people write letters anymore. Nowadays, personal communication is conducted via e-mails and mobile phone messages, much to the dismay of manuscript collectors and researchers. So, it is surprising to come across what the publishers describe as ‘a novel in letters’, Parachute Silk, by Gina Mercer.
... (read more)Madeleine Byrne reviews 'The Black Butterfly' by Kathleen Stewart
When you think about it, public swimming pools are strange places. Semi-naked bodies saunter about, while others battle against gravity in speed-designated lanes. Perhaps it is no surprise that these sites of aqua profonda dominate recent fiction. Whether the pools are in Paris or Fitzroy, they act as metaphors for the human condition.
... (read more)Geordie Williamson reviews 'The Art of the Engine Driver' by Stephen Carroll and 'Summerland: A novel' by Malcolm Knox
If history is a graveyard of dead aristocracies, the novel is their eulogy. It is now, for instance, a critical commonplace to explain the young Proust’s entry into the closed world of France’s nobility as an occurrence made possible by its dissolution. Close to death, holding only vestigial power, the fag ends of the ancien régime lost the will or ...
... (read more)Peter Steele reviews 'Saving from the Wreck: Essays on poetry' by Peter Porter
The cover illustration of Peter Porter’s selection of essays shows a mosaic from the Basilica di S. Marco, Venezia, in which Noah leans out from the wall of the Ark and releases the questing dove. The last words of the selection go ...
... (read more)Brian Matthews reviews 'Gould’s Book of Fish: A novel in twelve fish' by Richard Flanagan
Diane Fahey reviews 'Tigers on the Silk Road' by Katherine Gallagher
Tigers and ‘the Silk Road to Istanbul’ feature in Part I of ‘1969’, the opening poem in this volume, which traces a hopeful setting forth into the undiscovered spaces of Asia and Europe. It is playfully exotic even while the homeward pull of a relationship envelops perception like a cloudscape:
... (read more)Following True Stories, published in 1996, The Feel of Steel is Helen Garner’s second collection of non-fiction. It comprises thirty-one pieces of varying lengths. Longer narratives such as ‘Regions of Thick-Ribbed Ice’, about a hair-raising trip to Antarctica, and ‘A Spy in the House of Excrement’, about the outcome ...
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