Peter Tregear

This concert was the fourth, and perhaps most immediately relevant, in a series of concerts conceived over the past six years by artist-in-residence Christopher Latham for the Australian War Memorial. As with the Diggers’ Requiem (2018), Vietnam Requiem (2021), and the Prisoners of War Requiem (2022), Latham has created a narrative to accompany a series of musical works intended to make the history it explored ‘more conscious, identified and understood’. ... (read more)

To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.  

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Barry Humphries loved telling a story concerning a visit he and the painter David Hockney made to an art exhibition held at the Los Angeles County Museum of Art in 1991. What drew them there was a reconstruction of the Entartete Kunst (Degenerate Art) exhibition the Nazis had assembled in Munich in 1937 to help validate and promote their racial ideology. ... (read more)

To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.  

... (read more)

After a welcome return to something approaching a pre-Covid normal season of training camps and concerts, the Australian Youth Orchestra has finished the year with a grand public concert at the Melbourne Town Hall.

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1843 was quite the year in Christmas lore. It can boast both the first Christmas cards, commissioned by Sir Henry Cole, and the first edition of Charles Dickens’s A Christmas Carol. Our passion for the former may have ebbed a little in the age of digital communication, but Dickens’s novella – albeit most commonly in one of its many theatrical adaptations – continues to draw our interest. Melbourne is currently hosting the Old Vic production of Jack Thorne’s adaptation at the Comedy Theatre (with David Wenham as Scrooge). Now it also has an opera première: composer Graeme Koehne and librettist Anna Goldsworthy’s version for Victorian Opera. ... (read more)

Two sold-out concerts in the Melbourne Recital Centre by the London-based vocal ensemble The Tallis Scholars will be music to the ears of Australia classical music promoters. Audience numbers may be returning to something close to pre-Covid levels. In this case, however, I suspect the box-office success also reflects the peculiar drawing power of The Tallis Scholars themselves.

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Sadly, stage productions of Benjamin Britten and Montagu Slater’s opera Peter Grimes are now few and far between in Australia, notwithstanding the fact that the work’s exploration of psychological distress and social ostracisation has lost none of its currency. Britten’s score, while incorporating significant modernist musical elements, also remains both accessible and attractive. And Australia can also boast of having produced two of the finest exponents of the title role in Ronald Dowd and Stuart Skelton (who sang the role in the Sydney Symphony Orchestra’s concert version in 2019).

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Despite being one of the most successful and influential operas of all time, Ernst Krenek’s Jonny spielt auf (1926) is now something of a stage novelty. We are inclined to assume, perhaps, that the operatic genre it spawned, the Zeitoper, contained the seeds of its own obsolescence. As a new production at the Gärtnerplatztheater in Munich demonstrates, however, the work retains a capacity to shock and inform, as well as to entertain.

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Australians might be forgiven for thinking that the history of classical music – as an art form with origins in Europe – is something that happens elsewhere, that we are little more than observers (and listeners) of a tradition that is essentially the property of others. Melbourne-born Percy Grainger (1882–1961), however, presents us with an unambiguous claim to being a classical composer of lasting historical significance. And yet his music is also not performed, or celebrated, here with anything like the frequency and enthusiasm that it is overseas.

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