Robyn Archer
Robyn Archer reviews ‘Becoming Ella Fitzgerald: The jazz singer who transformed American song’ by Judith Tick
My one-woman show A Star Is Torn was a sung catalogue of the great women singers who had ‘taught’ me via their recordings. Having assembled a list of twelve, Bessie Smith and Billie Holiday among them, I realised that they had all died young. The original draft also included a bunch of survivors, including Lena Horne and Ella Fitzgerald. My assessment of Ella was based on scant information. When I premièred that show in 1979, she was in her sixties and still touring the world at a phenomenal pace. The rest was largely mythology. Judith Tick’s mammoth biography is authoritative enough to make me believe I now have something much closer to the truth.
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To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.
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How might Australian history be characterised in song? Described as 150 years of alternative Australian voices, Robyn Archer’s An Australian Songbook is a very personal song selection that convincingly shows how song is the lifeblood of a healthy society, and a mirror to it.
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Robyn Archer is a singer, performer, writer, artistic director, and public advocate of the arts. She was appointed an ABR Laureate in 2016. She has been performing professionally for more than sixty years, throughout Australia and the world, and is known internationally for her expertise in the Weimar repertoire and her artistic direction of major arts festivals.
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To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.
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Closeted but not isolated, everyone will have a story, so there’s nothing special here. But the common difference is clear. When it’s about Brexit or Trump there, it’s us to them; when it’s bushfires here, it’s them to us. We have been globally entwined for decades, but the economic and political truths are mostly covert. It’s taken Covid-19 to put us all overtly at the same risk at the same time.
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During the Covid-19 crisis, many of us are surfeiting on television drama from Netflix, Stan, and the rest of them. Back in 2015, we published James McNamara's Ian Potter Foundation Fellowship essay 'The Golden Age of Television?', which considers the ascendancy of television drama and its cultural significance. Listen to James reading his essay, which appear in ABR's film and television issue in April 2015.
... (read more)Surviving the Pandemic: Robyn Archer on living in the time of Covid-19
Peter Rose – before introducing this week’s ABR Podcast guest – updates readers on ABR’s response to the Covid-19 pandemic and the Australia Council’s inexplicable decision not to fund ABR in 2021–24. Then Robyn Archer – renowned performer and ABR Laureate – currently hunkering down in Melbourne, reflects on how people are surviving and what Australia might look like when it emerges from this crisis.
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To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.
... (read more)