Sarah Holland Batt
Sarah Holland-Batt reviews 'Feel Free: Essays' by Zadie Smith
‘When I was younger even the appearance of “I” on the page made me feel a bit ill,’ Zadie Smith confesses in her new book of essays, Feel Free. Shades of this chariness about the personal pronoun still persist in her non-fiction today, which is markedly self-effacing. From the outset, Smith repeatedly attempts to ditch ...
... (read more)To celebrate the best books of 2017 Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser, Susan Wyndham, James Ley, Geordie Williamson, Jane Sullivan, Tom Griffiths, Mark Edele, and Brenda Niall.
... (read more)Gregory Day reviews 'The Best Australian Poems 2017' edited by Sarah Holland-Batt
When W.H. Auden took the cue for his poem ‘Musée des Beaux Arts’ from Brueghel’s Fall of Icarus, he did not presume the reader’s knowledge of the iconography of the painting but rather sprang open its central and universal theme, which touches all our lives: how ‘dreadful martyrdom must run its course’. It is easy to think our lurid times are perhaps ...
... (read more)To complement our coverage of new books on the subject, we invited a number of writers, scholars, and environmentalists to nominate the books that have had the greatest effect on them from an environmental point of view.
... (read more)John Hawke reviews 'Contemporary Australian Poetry' edited by Martin Langford et. al. and 'The Best Australian Poems 2016' edited by Sarah Holland-Batt
According to The Magic Pudding, Bunyip Bluegum’s erudition is established through his ability to ‘converse on a great variety of subjects, having read all the best Australian poets’, a questionable achievement in Norman Lindsay’s day. A glance through the Annals of Australian Literature reveals the paucity of quality Australian poetry volum ...
Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia (Peter Lang), a fascinating compendium of Jewish musicians who found refuge in Australia in the 1930s and 1940s, is now available in Australian Diana K. Weekes’s excellent translation ...
... (read more)My first poetic influences were all American, due to the fact that I spent my critical early reading years in the United States. My poetic imagination is steeped in the disjecta membra of poets like Bishop, Stevens, Bogan, Dickinson, Ammons, Lowell, Moore, Hughes, Rich, and Eliot; I couldn’t erase their presence if I tried. Bishop, in particular, is a poet I never tire of – her forensic eye and tremendous command of the line are extraordinary. Beyond those earliest influences, there are too many poets to begin naming names, for fear of never stopping. Recently, I’ve been blown over by the exquisite, savage poems of Pascale Petit, particularly those in Fauverie.
... (read more)As I combed it,
he sat cross-legged
in front of me ...
We tread the wood in J. Crew,
pluck grey seersucker and navy cashmere
and talk about dressing for the seasons ...
States of Poetry 2016 QLD Podcast | 'Quetzalcoatl' by Sarah Holland-Batt
Tuesday, 28 June 2016In this episode of Australian Book Review's States of Poetry podcast, Sarah Holland-Batt reads her poem 'Quetzalcoatl' which features in the 2016 QLD anthology.
... (read more)