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Sarah Holland Batt

Unexpected on a day like this—
sun shuttling through the 125th Street bridge,
plastic strung in Harlem's elms like tattered wreaths:
unseasonable, unreasonable spring.
Under the red shadow of the Grant tenements
lunchtime noshers clatter china at Bettolona,
dogwalkers spread out on the grass in Sakura Park,
men from the halfway home
drag their deckchair ...

Bebop sparkplug spurred in withershins,
loop-de-loop interloper, he hop-steps
ravines of bark, shirking faultlines,
going solo, headstrong, scion of impatience,
juddering like the stalled engine
of prop-plane on tundra runway, skirting
and skimming up, peeling out,
reeling in spiral, spy, scout, prematurely
thrusting into the unknown, Magellan
runnin ...

How fine it is to mutiny
against my tired mind—

say self, you are through,
to smash into a mirrorball

of echoes all scaled
in dizzying Nordic blue

feel the universe tilt
and infinitely rebuild

to flicker
like a skerrick of spindle silver

needle-quick,
and never be held—

this is the freedom
of the uni ...

—for Vera Pavlova, in Mexico City

On the bus to Teotihuacan, we turn
a new god's name on our tongues

like a charm, jagging past
cinderblocked hills

chocked over the motorway,
grey pixels stacked so high they merge

with the smoked white Mexican sky—
then a guitar player in the aisle

begins a song whose only familiar
wo ...

I.

You tilt lapis to your lip –
a day light as wicker.

By the water, bullrushes bow
into sailboat blue, lace-necked

egrets fossick and pick,
and the elements rearrange

a goliath heron's skull to mud.
Up on the embankment

a crouching child scratches
his name into a temple wall.

II.

Ultramarine, lapis lazuli—

Sarah Holland-Batt reviews 'The High Places' by Fiona McFarlane

Sarah Holland-Batt
Friday, 18 December 2015

Towards the end of Fiona McFarlane's enigmatic collection of short stories, The High Places, we meet the odd, enchanting story 'Good News for Modern Man', which functions as a key to many of the book's concerns. The story centres around Dr Bill Birch, a malacologist undertaking an obsessive study of a colossal female squid, Mabel, which he has trapped in Ne ...

Books of the Year 2015

Robert Adamson et al.
Monday, 23 November 2015

Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines

... (read more)
Published in December 2015, no. 377

Contemporary Australian poetry has a complex and ever-evolving relationship with the land, both at home and abroad. Almost twenty-five years post-Mabo and entrenched in ongoing ecological crises, Australian poets explore new ways of experiencing and defining place. Where misguided nationalism sought to limit Australian poe ...

Published in October 2015, no. 375

Books of the Year 2014

Robert Adamson et al.
Monday, 01 December 2014

Books of the Year is always one our most popular features. Find out what our 41 contributors liked most this year – and why.

... (read more)
Published in December 2014, no. 367

Sarah Holland-Batt reviews 'South in the World' by Lisa Jacobson

Sarah Holland-Batt
Saturday, 01 November 2014

Lisa Jacobson’s third book, South in the World, opens with ‘Several Ways to Fall Out of The Sky’, a poem composed of imperatives instructing the reader in the strange art of descent. Jacobson’s poem deliberately invokes Auden’s famous piece of ekphrasis about Brueghel’s Landscape with the Fall of Icarus, ‘Musée des Beaux Arts’, which concerns itself with the relativity of suffering. All tragedies, Auden suggests, are products of perspective: Icarus’s plummeting may be a source of anguish for Daedalus, but is a minor occasion for a passing ploughman. Jacobson challenges this divested notion of witness by engaging in acts of imaginative empathy, stepping beyond the poet’s localised purview into the broader historical sphere.

... (read more)
Published in November 2014, no. 366
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