Jay Verney’s voice is not unlike Gillian Mears’s – rich, confident and brimming with adroit asides. Verney frequently stops to smell the roses, and dig around the compost. She observes the variations of a landscape, the behaviour of her characters, the nature of an institution. Here she is on a McDonald’s restaurant in Palm Springs: ‘It was America in metaphor, though without the crazed ... (read more)
Dianne Dempsey
Dianne Dempsey is a scriptwriter, a freelance journalist and book reviewer. She has been a regular contributor to the Age for over twenty years.
Reading Australian novels is often like gazing through an album of snapshots taken by various photographers attending the same party. The subject matter will depend on what stage of the evening the photos were taken – all the way from pre-dinner drinks to the finale of a Bacchanalian brawl – and it will depend, of course, on who is taking the photos. What is the photographer looking for? Who a ... (read more)
A good detective series depends on the author’s ability to devise canny plots with attendant clues and blind alleys, but of greater importance is the central detective who acts as a charismatic guide through the miasma of murder and mystery. There are many compelling detectives in crime fiction: think of Inspector Maigret, Hercule Poirot, Adam Dalgliesh, Kay Scarpetta and Stephanie Plum. However ... (read more)
Miss Maude Silver, Miss Jane Marple, where are you, with your splendid and authoritative bosoms, your discreet inquiries, natural reticence, and cunning powers of deduction? Oh, a long way from these sisters in crime.
... (read more)