Nick Thomas is arguably the outstanding academic of international repute at present working in the humanities and social sciences in Australia, as attested by his receipt of the 1998 Royal Anthropological Institute’s Rivers Memorial Medal for exceptional achievement of publications’. He is certainly prolific: Possessions is his eighth single-authored scholarly book in thirteen years. Thomas’ work is eclectic in discipline, interests and style. His themes range from Pacific history to anthropological theory, to postcolonial cultural history and critique, to art. The ambiguous intersections of local and colonial histories and cultures are a persistent concern, with increasing focus on material objects and the visual. He is equally adept with academic arcana as with a prose style directed to that publisher’s ideal, the educated non-specialist.