One of the things Rod Moran is good at is an oxymoronic tenacity – a kind of deliberate insouciance, a restrained violence – due to his embrace of metaphor. His best poems articulate disturbing comparisons and create surreal hybrids. You can see this in some of the early poems from High Rise Sniper (1970–80) selected for this new collection, such as ‘Chemical Worker’: ‘this pure acid, like some cruel psalm, / gives us daily bread ... [the living] / have a place in the maggot’s equation.’ Or, from ‘Cross Country’: ‘half a galah flock/ is spattered in its own pink / feathers and gore in mad array, / swimming down the highway / like grotesque fish / in the heat’s bright lagoon.’ The poems have an intensity that demands considerable attention and makes every line count.