At the end of her insightful critical study David Foster: Satirist of Australia (2008), Susan Lever quotes several rather despondent-sounding letters from her subject. In one, he claims to have lost his taste for satire; in another, he declares that he is ‘over’ literature. Yet he also expresses a continuing desire ‘to write books that are strange and beautiful’, and reveals he is at work on a new novel, his first since The Land Where Stories End (2001), one that draws on the framing tale of Arabian Nights and explores his ‘twin obsessions’: sexuality and mysticism.