The settler art history of Australia is not a long one – not much more than two hundred years – so it is all the more surprising that the literature of its first century should remain so riddled with holes. It is a sad reflection on the priorities of the academic and curatorial professions that (certainly as far as concerns that conventional, fundamental professional resource, the monographic study) some very significant artists have been neglected or completely ignored. To give just a few examples, it is years since there was anything new or substantial on Augustus Earle, S.T. Gill, Nicholas Chevalier or Louis Buvelot, while there have never been focused, extended studies of first-generation early colonial artists such as the surveyor-explorer G.W. Evans and the natural history painter John Lewin, of Benjamin Duterrau, artist of The Conciliation (1840), Australia’s first history painting, or of the 1860s and 1870s landscapists J.H. Carse, Thomas Clark and Henry Gritten.