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Humphrey McQueen
Humphrey McQueen is a Canberra author and reviewer.
‘Some of the ideas for this book were first tried out,’ writes its editor, David Carter, during the 2001 conference of the European Association for Studies of Australia at Lecce, in southern Italy. Displaying interest in Australia as a way to get one’s fare paid to leave the country is not the only reason why this bain-marie of a book has not found a reason to exist.
Salted through the coll ... (read more)
An appreciation of Goya, contends Robert Hughes, has become essential for Europeans wishing to make themselves literate in their own culture. Goya’s significance is heightened because his works are arguments for humanity, to be balanced against the horrors he depicted. Goya (1746–1828) indeed remains our contemporary. His life, his imagery and his dilemmas resonate at a time when countries are ... (read more)
‘Ithaca itself was scarcely more longed for by Ulysses, than Botany Bay by the adventurers who had traversed so many thousand miles to take possession of it,’ wrote Watkin Tench of his companions on the First Fleet. Governor Phillip’s 1786 Commission had instructed him to build castles. Fitting their vision of the new into the old, settlers named the rocky outcrop above Middle Harbour as ‘ ... (read more)
When the National Portrait Gallery (NPG) opened in Canberra last December, more thoughtfulness was evident in its bookshop than the hang. The volumes are arranged by subject and in alphabetical order: the images accord to no principle beyond décor. Here are five writers; there, four scientists. The randomness of the whole embodies a culture of distraction. The root of this muddle is an evasion of ... (read more)
Ten years ago, as I prepared to leave for three months in New York, an Australian friend resident in the USA sent a brochure about a new kind of portable typewriter which she said might be worth my buying. The machine could memorise a whole line of type which could be corrected by being viewed in sections through a panel capable of displaying sixteen letters or spaces. When I reached New York, she ... (read more)
Rudyard Kipling could not understand why his cheque account was so much in credit. The answer was that the tradespeople in his village were selling his signature to autograph collectors for more than they would have received by presenting Kipling’s cheques to the bank.
Marcel Duchamp sent a cheque, drawn on an imaginary bank, to his dentist who did not accept that a work of art by Duchamp would ... (read more)
Dear Manning,
I’m writing you this letter for want of better ways of continuing the conversation we’ve been having for the past eight years, sustained by weekly letters while I was in Japan. We began to walk and talk in 1983 as you were preparing for heart surgery and I wasn’t coping with a broken heart. You wanted someone to walk with, and I needed company.
When you died at 4pm on a Thurs ... (read more)
Geoffrey Dutton will not concentrate. Information relevant to his subject reminds him of other titbits, as in this cascade of irrelevancies:
McKee Wright deserves the credit for having first published Slessor, and he published a remarkable number of women poets. However, some of his favourites amongst the latter might have been better left in obscurity. Marie E.J. Pitt, for example, in the issu ... (read more)
First up, best dressed is a warning for flatmates where the laggard must take comfort from the prospect that ‘An overcoat covers a multitude of sins’.
Like the overcoat, research can include a richness of distractions. Asked by her professor what she was doing, one graduate student answered ‘Research’. ‘That’s good’, returned the professor. ‘These days most people seem to be ... (read more)