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Archive

Abbreviations

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February–March 1986, no. 78
'Abbreviations' by John Hanrahan

Melbourne has Moomba and Melbourne Cup week. Sydney and Perth have cultural festivals. And so, pre-eminently, does Adelaide. Even from the backblocks of Melbourne, Adelaide Writers’ Week stirs up a real thrill.

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'Self Portrait' by Barry Oakley

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February–March 1986, no. 78

In the small hours of Saturday, 31 August, after the wind-up dinner of the Association for the Study of Australian literature in Armidale, John Hanrahan told the writer not to forget the self-portrait he had promised for Australian Book Review. The writer, at that stage somewhere between exhaustion and tranquillity, assured him it would be done soon. Later he regretted what he’d said, because, at fifty-four, he didn’t like looking at himself in mirrors. Perhaps though, if he softened the lights just a little ...

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Starters and Writers

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February–March 1986, no. 78
'Starters & Writers' by Mark Rubbo

Many Australian publishers question the ability of overseas publishers to market and distribute a London published book by an Australian writer in Australia. The emotional and commercial commitment to a book by a distributor, they argue, is not the same as that of a publisher. An Australian publisher also has a better perception of the market and the quantities required. In the case of the market being underestimated, reprints of sufficient quantity can be supplied relatively quickly. In general my experience as a bookseller would confirm these comments.

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The Best of Max Harris: 21 years of browsing by Max Harris

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February–March 1986, no. 78
John Hanrahan reviews 'The Best of Max Harris: 21 years of browsing' by Max Harris

Max Harris must be an important cultural figure. Max Harris keeps saying he is. He also notes that Rupert Murdoch thinks he is. Now Harris has published just over two hundred pages of ‘The Best of Max Harris’, subtitled ‘21 Years of Browsing’, thirty six pieces from the Australian. I pass over in almost-silence the implication that Max is only at his best when writing for Rupert. And maybe the best one can say is that they deserve each other and wish them a happy anniversary.

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US Reporting

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February–March 1986, no. 78

New York snow storms may blow outside his window, but Sumner Locke Elliott is feverishly busy indoors writing a novel set in Australia between the wars. He hopes to complete it by late spring.

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Unsettled Areas: Recent South Australian short fiction edited by Andrew Taylor

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February–March 1986, no. 78
Sandra Moore reviews 'Unsettled Areas: Recent South Australian short fiction' edited by Andrew Taylor

A reviewer is bound to behave as a different kind of reader from others, especially when dealing with a mixed collection like Unsettled Areas. Other readers can pick and choose, skip the duller bits, and take as long as they like, whereas I’ve read closely every story, at least twice, in the space of two days. Then I’ve let them settle into my imagination for another day or so to see what impressions have lasted, before taking another look. I looked especially hard at the ones I found unsatisfactory, in case my mind had changed. I’ll leave these until later.

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The Scots Abroad: Labour, capital, enterprise 1750–1914 edited by R.A. Cage

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February–March 1986, no. 78
Don Watson reviews 'The Scots Abroad: Labour, capital, enterprise, 1750–1914' edited by R.A. Cage

The editor of The Scots Abroad took one big hoary fact, stuffed it in a cannon and fired it. Indeed he fired it to several parts of the world. Then he wrote letters to the provincial experts, asking them to survey the effects his missile had on landing. The results of course were fairly predictable and roughly the same in each case – it was the same fact after all. A lot of gravel and some larger stones thrown up, several casualties among the native population, little damage to public buildings, though in more than one case banks were reported collapsed and men in grey suits were seen running away. At the bottom of the crater lay the fact, quite unexploded, still as hoary and unyielding as when it was fired. This was a Scottish fact, or, rather, the fact was a Scot, or a Scottish ‘national type’, so we shouldn’t wonder that it was quite intact.

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Our Newspapers’ Literary Pages

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February–March 1986, no. 78

There must be something horribly deformed about a society in which the lowest paid work is often the most demanding and the least dispensable. Why, for instance, is the wellbeing of our elderly not worthwhile enough for people to be paid to deliver Meals on Wheels? Who doesn’t believe that the nurture of children is an enormously responsible job? Does a rubbish tip attendant get better paid than a clerk? Course not.

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Ikons by George Papaellinas

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February–March 1986, no. 78
Beverley Farmer reviews 'Ikons' by George Papaellinas

On the stage or off, Peter Mavromatis is the unswerving centre of these stories. Unswerving as a focus, that is – in himself he swerves all over the place. Who and what is Peter Mavromatis? That’s what he’d like to know. His Cypriot parents and grandmother know who he should be. Sydney-born, he has grown up saddled with Greekness as a birthright and an unpayable debt. Peter Blackaeye: is he ‘Grik’? No, the Greeks at GMH decide, and drive him off the job. Australian? Not to his family, nor to many Australians.

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The Orange Tree: South Australian poetry to the present day edited by K.F. Pearson and Christine Churches

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February–March 1986, no. 78
Barbara Giles reviews 'The Orange Tree: South Australian poetry to the present day' edited by K.F. Pearson and Christine Churches

Anthologists face more than one dilemma of choice, beside that of personal preference. Is it better to show more of fewer poets, and give a true picture of their qualities and scope, to range widely across the landscape of the art, or reach a compromise between these methods? There are excellent anthologies in each genre.

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