Stories about women from disparate times and places leading parallel lives are almost a genre unto themselves. In Michael Cunningham’s The Hours, a well-known literary example, Virginia Woolf’s Mrs Dalloway, connects the lives of three twentieth- century women (one of them Woolf herself) in an intergenerational portrait of queerness and mental illness. In Evie Wyld’s The Bass Rock, a trio on the Scottish coast are linked over several centuries through themes of violence against women. In Tracey Chevalier’s The Virgin Blue, an American woman living in France noses out the story of a persecuted ancestor.