Visual Arts
The Rijksmuseum used to be the dullest of the major European collections. It looked as though Ursula Hoff had painted all the pictures. An air of dowdiness hung over the massive building and crowded collections where the good and the great indiscriminately mixed in with the mediocre in warren-like galleries with an over-supply of the decorative arts.
...The Rijksmuseum used to be the dullest of the major European collections. It looked as though Ursula Hoff had painted all the pictures. An air of dowdiness hung over the massive building and crowded collections where the good and the great indiscriminately mixed in with the mediocre in warren-like galleries with an over-supply of the decorative arts.
After y ...
‘There’s no time like NOW!’ proclaim the signs.
Inspired by the fond reminiscences of slow tram rides of several Melbourne personalities, whose brief anecdotes are interspersed between the pages of the sumptuous Melbourne Now catalogue (Melbourne Now Limited Edition, National Gallery of Victoria, $100 hb, 280 pp, 978072 ...
‘There’s no time like NOW!’ proclaim the signs.
Inspired by the fond reminiscences of slow tram rides of several Melbourne personalities, whose brief anecdotes are interspersed between the pages of the sumptuous Melbourne Now catalogue (Melbourne Now Limited Edition, National Gallery of Victoria, $100 hb, 280 pp, 978072 ...
Living in a Modern Way: California Design 1930–1965 edited by Wendy Kaplan
Ninety years after ‘An Exhibition of Australian Art’ was held at Burlington House, London, home of the Royal Academy of Arts, the exhibition Australia opened on 21 September 2013. Touted as the biggest exhibition of Australian art to be staged in the United Kingdom, it is an ambitious undertaking – nothing less than a survey exhibition encapsulati ...
Ninety years after ‘An Exhibition of Australian Art’ was held at Burlington House, London, home of the Royal Academy of Arts, the exhibition Australia opened on 21 September 2013. Touted as the biggest exhibition of Australian art to be staged in the United Kingdom, it is an ambitious undertaking – nothing less than a survey exhibition encapsulati ...
Entering the current Heide exhibition Stephen Benwell: Beauty, Anarchy, Desire – A Retrospective for the first time is quite an experience. Dispersed left and right on two enormous rectangular tables is a chronological survey of the work of one of Australia’s finest ceramic artists. The overview of a remarkable career can be examined in detail as the viewer moves from work to work up ...
In mid-May the Barnes Foundation opened at its new location in the cultural corridor of downtown Philadelphia. A cloud of controversy followed it to the end. The new building, handsome if flawed, from the gifted New York studio of Tod Williams and Billie Tsien, has attracted its share of criticism. The entrance, initially hard to find, is at the back of the building facing towards the car park and away from the parklands. The passage from entrance to galleries is awkward and inauspicious.
... (read more)In 1981, William Kentridge journeyed from apartheid South Africa to the École Jacques Lecoq in Paris, renowned for its work in improvisation and physical theatre – theatre that creates itself in play. Though Kentridge would become an artist – working in drawing, printing, animation, film, opera, and sculpture – physical theatre and improvisation come closest ...