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‘His poems, now more and more exclusively in prose, have become taut and aphoristic, for he seeks patiently to release energy potential in language, and to make of poetry an instrument of revelation, indeed a close ally of philosophy.’

These words, by R.T. Cardinal in The Penguin Companion to European Literature (1969), in fact gloss the poetry of René Char. They could be taken as an apt description of Peter Boyle’s fourth collection, Museum of Space, which represents a subtle but significant shift in his oeuvre since the virtuoso What the Painter Saw in Our Faces (2001). These are sparer, more abstract poems, less cluttered by competing images – deft, attenuated and often written in a lean, delicate prose, as if having left some of the mechanical devices of poetry behind for something more suggestively metaphysical.

It all seems so obvious. So why is the practice of non-violence, peaceful negotiation and conflict resolution so hard? ‘To realise a vision of peace with justice requires inspiration and commitment,’ writes Stuart Rees, in an affirmation that shapes his inspirational new book, Passion for Peace. Rees explores the complexities and possibilities of peacemaking from varied perspectives: political, sociological, legal, biographical and, not least, literary. Rees’s text is studded with quotations from poets: the great Romantics, Wordsworth and Shelley; Denise Levertov; war poet Wilfred Owen; Australian poets Oodgeroo Noonuccal, Judith Wright and Rosemary Dobson – more than fifty all told.

In the long tradition of printmaking, print workshops have played a critical and often unacknowledged role in encouraging, supporting and teaching artists to become printmakers, providing facilities and technical expertise, and, above all, producing prints. It is well known that Picasso’s unconventional experimentation with print techniques was often directly inspired by his printers’ abilities, while the rise of interest in lithography in America in the mid-twentieth century was due to lithographic workshops established by printers such as Tatyana Grosman and June Wayne. Nevertheless, the printer’s part in the creation of a print is still often overlooked.

The anthropologists of some future galactic civilisation, sifting through the remains of human life on earth, will find much to puzzle them, but nothing more so than the propensity of supposedly rational creatures to denigrate, hate or even murder those who are perceived to be different in race. How should we understand racism? Where does it come from, and how can it be eradicated? The editors of this book have assembled an impressive collection of philosophers and psychologists to tackle these questions. Their wide-ranging and often conflicting answers do not make racism less puzzling, but, like all good philosophical investigations, this book has the effect of making the reader puzzle more profoundly.

The editors took a lot of pains with this collection. They ensured that it would be accessible to general readers, as well as scholars. The introduction, by Tamas Pataki, is particularly helpful in providing a framework for the discussion. The editors encouraged contributors to read and comment on each other’s work. The result is a discourse in which participants with different approaches and perspectives cooperate to tackle a matter of serious concern.

Of the two groups who opened up Australia to settlement, the squatters have created about their persons a huge library, both admiring and critical. The surveyors, who followed in their footsteps, have rarely captured the imagination (with the exception of Sir Thomas Mitchell and Colonel Light) but their influence, especially in metropolitan Australia, has been incalculable. The site of Melbourne was chosen by a governor, but it was surveyors who laid out the grid plan of the square mile, imposing it on a hilly site, bounded by a narrow river to the south and swamps to the west. Principal among the Melbourne and Port Phillip surveyors was Robert Hoddle, who ended a long career as the first Surveyor-General of Victoria (1851–53).

This book, The Battle for Asia, is the most recent and ambitious contribution from the group of Australian political economists, formerly based at Murdoch University, working on East Asian political economy. This book upholds the group’s Marxian structuralist orientation and advances its critique of ‘neo-liberal’ globalisation. The book’s ambition to integrate post-World War II international political economy, Asia’s development trajectories and US hegemony widens this group’s analytical lens and deepens its links with the anti-globalisation movement. For Mark T. Berger, ‘many of the organizations and individuals involved [in the movement] are asking the right questions and pointing in the right direction’.

Berger shares with this movement the belief that the US is the single hegemonic power driving the global economy. He presents capitalism as an inherently unequal system prone to crisis and monopolisation. Global corporations, leading states, mainstream intellectuals and international bureaucrats are its shapers and main beneficiaries. All others are its excluded subjects.