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The Cambridge Guide to English Usage is written by the Australian academic Pam Peters, and is an interesting extension of the work she published in The Cambridge Australian English Style Guide (1995). This time Peters examines more than 4000 issues of word meaning, spelling, grammar, punctuation and style as exemplified in the Englishes of the UK, the US, Canada, Australia and New Zealand. The book will appeal to both a specialist and a general readership.

The major players here are the UK and the US, and the evidence of usage for these domains is drawn largely from corpora (or should it be corpuses?), especially the 100 million-word British National Corpus (BNC) and a subset of 140 million words of American English from the Cambridge International Corpus (CCAE). The evidence for usage in the other Englishes is not corpus-based, and relies largely on dictionaries, style guides and questionnaires.

Haunted Earth is Peter Read’s third book in his series on Australian attachments to place. This work began with Returning to Nothing (1996), which explored how Australians feel about ‘lost’ places. Belonging (2000) investigated how non-indigenous Australians claim to belong and how they negotiate issues of cultural difference. It was overtly concerned with the ramifications that the establishment of Aboriginal history has had on national identity.

Jay Verney’s voice is not unlike Gillian Mears’s – rich, confident and brimming with adroit asides. Verney frequently stops to smell the roses, and dig around the compost. She observes the variations of a landscape, the behaviour of her characters, the nature of an institution. Here she is on a McDonald’s restaurant in Palm Springs: ‘It was America in metaphor, though without the crazed gunman to add that final touch of piquant authenticity.’

The true believers, proud of their history and with hope for the future, assembled in Melbourne on 27 April 2004 to celebrate the first time the Labor Party formed a federal ministry a century before – and, of course, to attend the launch of the obligatory book commemorating the event, So Monstrous a Travesty.

On the face of it, this book represents a strange project: to elaborate for the reader’s consideration the moral beliefs of a man whom the author judges (and judged in advance, one suspects) to be shallow, inconsistent, lacking moral and intellectual sobriety, and to have failed so often to act on the moral principles he repeatedly professes that he can fairly be accused of hypocrisy ...