Biography

Like those of Tom and Viv, and Scott and Zelda, the life story of George Johnston and Charmian Clift is a high drama of love, sickness, loyalty, passion, talent and suffering, with a tragic intensity not often found in Australian life. The lives of artists are now often turned into works of art themselves. Garry Kinnane’s biography and the ABC radio documentary based on it make George and Charmian more fascinating than their books, with the possible exception of My Brother Jack.

Subtle-tasting experience, dating back more than ten years, has made me suspicious of ideologues who take pen to comment on Their Own. Whether they’re, say, reviewing the fiction or writing the history of Their Own, the continuing good of the Cause tends to be a primary consideration. So my sceptical heart sank when I heard that the biography of James Duhig, Catholic Archbishop in Brisbane from 1912 to 1965, was being written by Father T.P. Boland, a priest of that diocese.

Professor Hassall’s study of Randolph Stow is indeed a strange country. A text which sets out to establish Stow as ‘a more important writer than is generally recognized’ and to show that his ‘best work bears comparison with Patrick White’s’ promises an intellectual engagement with either critics or the text or both which would lead to reassessment of Stow’s work. It appears that these are Aunt Sally’s – although Professor Leonie Kramer, who is presented as one of Stow’s ‘sterner “realist” critics’, can hardly be seen as such an aunt. Hassall puts her up but barely touches her, leaving the counterargument to Dorothy Green. Perhaps he’s being gentlemanly. However, to quote a paragraph from Green which asserts that ‘One of the greatest weaknesses of Australian criticism has always been its refusal to take religious ideas seriously’ is to take advantage of the lady. Hassall needs to fight his own battle against Leonie Kramer’s judgement of Stow’s work as being ‘quasi-religious’ and misguidedly experimental.

Kylie Tennant hasn’t taken the task of telling the story of her life seriously – and that is one of the real pleasures of this rough and ready autobiography. Her ten novels and many short stories, as well as being piercingly accurate social documentaries, are carefully constructed to work as good yarns should. But Tennant’s autobiography is not well put together. It reads as if she is nattering with a friend and laughing at herself a lot. She rambles a bit, avoids any semblance of self-analysis, is engagingly matter-of-fact about her achievements and her failings.

This dainty, delicate, savage book is lovely and rare because it is truthful, vicious, brimming with the blue eyes of memory, the red eyes of defeat, the open mouth and congo drum of childhood. When Barry Oakley writes of his childhood, it is you booting him the footy of laughter.

He writes, wonderfully, sweetly, dreamily of taking his sore-footed mum and soft-drink-eyed son for the satiric day to Taronga Zoo. Among the gorillas and orchids, you watch him scribble in the light. A journalist cobber to fellow mysteries, his friends.

This book is a testament to the persistence of the legend of King O’Malley. Larry Noye tells the story of the self-proclaimed founder of the Commonwealth Bank and builder of Canberra very much as O’Malley himself never tired of telling it, heavily embellished with the exaggerated ‘spreadeagle’ rhetoric and baloney of the hot gospellers, land-boomers, social reform cranks, and snake-oil salesmen of the American West among whom O’Malley took his first steps in the adult world. The book’s strength is that its author is so intoxicated with the O’Malley legend that it faithfully gives us a picture, as it were, straight from the horse’s mouth, full of colour and incident; its weakness is that it fails adequately to step back and separate fact from fiction.

The Australian colonies were much more of an ethnic mix in the middle of the last century than is nowadays imagined. In 1861 one Victorian in ten was Chinese. Germans were everywhere, not just in the Barossa: 10,000 also lived in Victoria. The folk memory of such groups was not continuous enough to preserve a sense of their collective heritage. Few material traces remain: overgrown tombstones, fading foreign surnames atop country stores, an exotic farmhouse looking quite unlike its neighbours.

The vast majority of these itinerant aliens left no mark at all. They lived in a goldfields tent, rented a room in the inner city, or built a shanty amid tall timber. Within a few years they moved on, perhaps to New Zealand or the Americas, and returned home in old age. Of Italians, for instance, probably 120,000 had come to this country by the time of the Great War, but the 1921 census counted only 8,000 of them.

Humour is much too serious business to be left to humourists; it is up to others to find it funny, while the comic goes about his trade with desperate lugubrity, Thus humour that goes out of its way to be funny falls flat: dryness is all.

Despite its faults, this book has the merit of being the first biography on the legendary Australian batsman, Victor Trumper (1877–1915). Young cricket lovers of today may well ask what feats of batsmanship Trumper performed to deserve this handsomely produced volume about him. After all, his test average was only 39.04, not to be spoken of in the same breath as Don Bradman’s 99.96.