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Archive

There cannot be many literate people left in the world today who have not heard of the appalling looting of the Iraq National Museum earlier this year. This followed the evacuation of the building on April 8 by museum personnel who had been safeguarding the site (in some cases sleeping there) up until that point. What ensued was a nightmare of cultural carnage involving an unknown number of looters who, according to Marine Col. Matthew Bogdanos (head of the Joint Inter-Agency Coordination Group investigating the looting of the museum), made off with approximately 13,500 objects.

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The Children’s Book Council of Australia (CBCA) Awards are the most significant awards for books aimed at young people in Australia. They guarantee short-listed books increased sales. The judges’s report is always an important document, since the eight judges read every book (give or take a few that publishers neglect to submit) published in Australia for young readers during the preceding twelve months. This gives them a unique perspective on how contemporary experience is being represented to the next generations of readers, writers, reviewers, festival-goers and book-buyers.

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Australian football has lost its magic, a unique quality existing in the 1950s, and even as late as the 1970s. It derived from the fixed positions that players adopted and from their physical diversity. In their competing forms, they became metaphysical constructs – good versus evil, beauty versus ugliness, benign innocence versus malevolent experience – constructs limited only by the human imagination ...

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Here we have five seemingly disparate books linked by genre: fantasy. Yet even fantasy, an often devalued term used to categorise a range of speculative and other fictions, doesn’t quite describe these entertaining and evocative texts. Rather, the common thread running through these stories and uniting them in a continuous and universal yarn is that which weaves its way through many tales: the hero’s journey.

Whether drawing inspiration from epic and mythological pasts or contemporary issues around young people’s search for identity within and against mainstream forms, each story seeks to capture the reality of the timeless and often heroic search for the self using a fantastical backdrop.

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Zoltan Torey’s Out of Darkness begins dramatically in Sydney. On a winter’s night in 1951, Torey, a refugee from Hungary studying dentistry, is on night shift at the battery factory in which he works to support his studies. When he moves a drum of acid, the plug blows off, ‘sending a massive jet of corrosive liquid at my face’. The acid eats into Torey’s eyes, blinding him for life. In addition, he swallows some acid, damaging his vocal cords. Torey describes this event twice: the second time, he emphasises how the event was experienced. ‘The last thing I saw with complete clarity was a glint of light in the flood of acid that was to engulf my face … It was a nano-second of sparkle, framed by the black circle of the drumface, less than a foot away.’ As this suggests, Torey’s prose has moments of extraordinary power.

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Kierin Meehan’s Hannah’s Winter was one of the most promising débuts in some time. Her second novel, the ambitious Night Singing, attests to Meehan’s importance as a new writer for the middle-school years reader. There’s a magical quality to Night Singing and, although it is not a fantasy, a sense of the fantastic pervades the novel. Meehan has woven various plot strands and numerous characters into a delightful and, at times, deeply moving whole. Her characters, some of whom are wildly eccentric, never seem less than real, and her plot, although full of extraordinary coincidences – coincidences that, in less capable hands, would be both lazy and unconvincing – is believable and satisfying.

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James Stirling’s naval career was helped by having an uncle who was a Rear Admiral. The other side of his family was involved in trade, and some have argued that his proposal for the Swan River colony was based on personal ambition and family influence. This is true to some extent. However, in a deeper sense, he was shaped by his family’s involvement in two of the mainsprings of nineteenth-century British imperialism: naval dominance and worldwide trade.

Stirling was the founding governor of Western Australia for ten years, but the major part of his career was with the Royal Navy. A strength of this biography is that it is the first full account of that career. There is too little space in this review to deal fully with this part of his life, and Australian readers will be more concerned with his governorship. Like most colonial Australian governors (and post-colonial ones), Stirling has had his admirers and detractors. The author, obviously an admirer, argues persuasively in his favour.

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Clive James in Mildura

The Mildura Writers’ Festival, held over a weekend in late July, consolidated its reputation as one of Australia’s most pleasurable literary festivals. When, we wonder, will tout Melbourne and Sydney realise how good it is, and make the journey. Clive James opened the festival with a memorable lecture on questions of celebrity and the poetry of Philip Hodgins. We have much pleasure in publishing his 2003 La Trobe University/Australian Book Review Annual Lecture in this issue.

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With the world apparently going to hell in a handbasket, the flood of contributions to ideas of global governance shows no sign of abating. There is something dizzying about immersing oneself in such far-reaching and ultimately – necessarily – optimistic works about the possibility of a just global civil order at a time when the most basic liberal democratic rights and freedoms are being traded away willy-nilly at the national and local level. From national security laws to nightclub curfews, nothing seems easier to knock over than liberty, and nothing more difficult to resist than cultures of fear and repression.

Nevertheless, there is no reason not to project into a future that may offer scope for a reversal of this process. John Keane is an Adelaide-born heavy-hitter in the area of studies of civil society and democracy, and also a political biographer – most recently of Vaclav Havel. He is thus ideally placed to write a book that is both accessible to the general, well-informed reader, while sacrificing little in the way of academic smarts. He goes a long way towards succeeding, but that is in part because the political questions to which the answer is ‘global civil society’ by their very nature exclude certain dimensions of human beings whose character would complicate the picture.

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This book is dedicated to Judith Brett’s grandparents, ‘none of whom ever voted Labor’, and their grandchildren, ‘most of whom do’; and concludes with the observation that ‘the relationship between … emerging social formations and nationally based political parties is not yet clear – or at least not to me’. The dedication suggests even-handedness, and the concluding words imply a commitment to evidence as the basis for argument. These qualities characterise this major study of Australian Liberalism – an impressive personal achievement and a significant event in Australian intellectual life – though Brett sometimes appears to believe that they are one and the same thing, and that, in order to understand human relations, one must first accept the equal validity of ideologically opposed views.

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