Non Fiction

In November 1997, Bryce Rose was travelling for work in northern New South Wales. Rose was a technical officer with Telstra, and his help was needed in the Armidale area to address a surge in reported faults. Required to spend a few nights away from home, he arranged to share a hotel room with a colleague. On the third night, the pair went for dinner and then on to a nightclub. Much alcohol was consumed, and there was an altercation between them. Around 3 am, Rose returned to the hotel room, only to find the other man waiting for him. The furniture had been rearranged to create a space in the middle of the room. ‘Well, that’s your boxing ring if that’s what you want, mate,’ Rose’s colleague told him. There was a scuffle, and Rose began bleeding. He ultimately needed twelve stitches at the local hospital. Rose appears to have been the more innocent of the parties; his colleague was later convicted over the altercation.

A book connecting Artificial Intelligence with storytelling around a Stone Age campfire certainly piqued my interest, especially given the stratospheric success of its author’s earlier works. Indeed, historian Yuval Noah Harari’s Sapiens (2011) was so successful that in 2019 he and his husband, Itzik Yahav, cofounded ‘Sapienship’, an initiative advocating on global challenges through focused conversations and global responsibility. In this spirit, Harari’s latest book, Nexus, focuses on the AI revolution. His Homo Deus (2015) also tackled this theme, but here Harari recapitulates ideas from both these earlier books and then develops them using an innovative framework that reviews history in terms of the impact of information networks. It is the relaying of information, says Harari, that connects Stone Age storytellers and AI.

Caroline Lucas, the former leader of the Greens in England and Wales, wants her country back. This has become a familiar refrain in the past decade. The success of radical-right, far-right, and hard conservative parties in increasing their vote share in Europe has alarmed many progressives. The steady support for Donald Trump in the United States, despite – or because of – attempts to undermine the democratic process and wind back the social gains of the past two generations, also revives historically inflected fears of the ultra-nationalism of the 1930s. A restorative nostalgia for a time when their nation was great, or simply better than it is now, animates all these insurgent movements from the right.

No movement in the history of art is so beloved as that which we label ‘Impressionism’, and no artists’ names are as familiar as those of its stars: Manet and Monet, Pissarro and Morisot, Degas and Renoir. But why did Impressionism blossom at a particular moment in Paris and in that form? Sebastian Smee’s brilliant new book offers compelling answers.

William Dalrymple’s tour de force avoids all the pit-falls of superpower competition, identity politics, and over-simplification, but nonetheless places Indian cultural and economic achievements at the centre of the changing worlds of the West and Asia from c.250 bce to 1200 ce. The Golden Road: How Ancient India transformed the world explains how and why Indian influence in China reached a high-water mark ‘never to be reached again’ during the reign of Empress Wu Zetian (the Fifth Concubine), who died at the age of eighty-one in 705 ce, having ruled China for some fifty years.

Shakespeare’s world view – his multiplicity and pluralism, all that teeming vitality crashing up against itself – acts like a tabula rasa even when it is precisely the opposite: one can project oneself onto his work not because it is a blank slate but because it contains multitudes. When it comes to his actual opinions, however – his inclinations and proclivities, his personal, political, and spiritual beliefs – he is notoriously difficult to pin down. One of his greatest skills, after all, is a consummate ability to play both sides of an argument.

Christians so often have problems with sex these days. Australians saw this when, during the Marriage Law Postal Survey, the Anglican Archbishop of Sydney begged them to uphold a ‘biblical definition’ of marriage – if there were such a thing. Representatives of every denomination fret endlessly over their responsibility for enabling the sex offenders and abusers of children who were hidden in plain sight in their midst. That some do this even as they fulminate against overt sexual expression in the public sphere (the Paris Olympics opening ceremony anyone?) makes them seem even more out of touch.

Journalist Royce Kurmelovs has written several business-focused books, including a well-received account of the end of Australia’s iconic Holden cars (The Death of Holden, 2016) and a partly personal analysis of the social costs of ubiquitous indebtedness (Just Money, 2020).

In Vex Ashley’s film Machine Learning Experiments, a body – she, they, he, them, take your pick – is penetrated by a luminescent black tube. The body’s boundaries dissolve in the pleasure of becoming: animate/inanimate, human/non-human, interior and exterior, inorganic and inorganic. Backed by the steady pulse of Boy Harsher’s Augustus Muller, the series’ tripartite sequence – ‘Automation’, ‘Orgone Theory’, ‘Hydra’ (this last ‘about invading and consuming’) – offers a psychosocial exploration of transmission and penetrability of all kinds.

In his famous outburst before the gathered men of the Symposium, Plato has Alcibiades declare that behind his ‘Silenus-like’ mask, Socrates is full of ‘divine and golden images’. He can see the gold where others see only the mask, and it is this which makes Alcibiades so desperate for the old man’s approbation.