Archive
Quite a few years ago, when the future was far more important than the days gone by and the past hadn’t acquired that elusively seductive voice to beckon me with the urgency that it does now, I tended to be rather flippant about the notions of ‘home’ and ‘homeland’. ‘Home’ simply meant where I was at any given time. To an extent such a shallow definition can be attributed to my early experiences of travel and the consequences of the constantly changing landscape which confronted a young backpacker who didn’t feel the necessity of a cultural anchor. I simply moved from one country to another, with the restless compulsion of the Wandering Jew, to satiate a curiosity sparked off by a trip to the exotic wilderness of the Khyber Pass when I was a child.
... (read more)Wildlife film-makers Richard Southeby and his wife Nicole Vander are filming a duck hunt at Great Dismal Swamp, North Carolina, where Greenpeace demonstrators plan to make their presence felt. Their fanatical leader, Simon Rosenberg, has a flowing beard and deeply troubled eyes. His idea is to get his troops in front of the guns, really provoke the shooters and obtain maximum publicity. Remind you of anyone? But then in the early stages of filming, Nicole is blown away into the swamp by an unseen assassin. Who’s responsible? Greenpeace crazies? Duck hunters? Or an international hired hitman known as the Jaguar? You guessed right.
... (read more)The Big Ship: Warwick Armstrong and the making of modern cricket by Gideon Haigh
A Gap in Nature: Discovering the world’s extinct animals by Tim Flannery and Peter Schouten
Australia's Own Cold War: The waterfront under Menzies by Tom Sheridan
I has sworn, in my editorial capacity, not to reinforce or allow to be reinforced, by word or deed, the old Sydney vs. Melbourne scenario in the pages of this magazine; but I realised very quickly that this was a case of one’s reach exceeding one’s grasp. The construction of this inter-city relationship as ‘St Petersburg or Tinsel Town?’, with its suggestion of two (and only two) opposing superpowers and its implication that one must make the choice, has – however you might feel about it – an imaginative force before which one can only bow. Several recent items in ABR have drawn on the two cities’ perceived differences in order to make points about the books or ideas under discussion (see, for instance, Rob Pascoe’s review of Frederic Eggleston and Intellectual Suppression in this issue); Jim Davidson has produced The Sydney Melbourne Book as heralded in last month’s ‘Starters & Writers’; the ‘opposition’ model seems to be a powerful figure in the national literary rhetoric.
... (read more)The Australian Bookseller & Publisher serves as the trade magazine for the Australian publishing and bookselling industry. It derives a substantial amount of its revenue from the advertisements that publishers place in it.
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