Poetry
Peter Kenneally reviews 'The Law of Poetry' by MTC Cronin, 'The Ladder' by Simon West, 'Jam Sticky Vision' by Luke Beesley, 'Immune Systems' by Andy Jackson, and 'The Hour of Silvered Mullet' by Jean Kent
With her first book, Zoetrope, in 1995, MTC Cronin announced herself as a very particular force in Australian poetry. It was not just that her début was so much more immediately arresting than most poets' first outings, but also that it had real authority. This authority, coming from force of intellect and a kind of absolutist, almost inscribed imagination ...
Young Eliot: From St Louis to The Waste Land by Robert Crawford
Fiona Hile reviews 'Rhinestone' by Ella O'Keefe, 'Metadata' by Amelia Dale, 'end motion/manifest' by Sian Vate, and 'Office of Locutions' by Kate Middleton
All writers need good bookshelves, but the poet, perhaps more than any other writer, is charged with the involuntary dispensation and relentless accumulation of reading material. This is partly due to the proclivities of the producers and partly due to the characteristics of the form itself. As the notable cultural critic Pierre Bourdieu remarked, poetry's effects d ...
The Penguin Book of Russian Poetry edited by Robert Chandler, Boris Dralyuk, and Irina Mashinski
Cassandra Atherton reviews 'The Hazards' by Sarah Holland-Batt, 'Conversations I've Never Had' by Caitlin Maling, 'Here Be Dragons' by Dennis Greene, and 'The Guardians' by Lucy Dougan
Contemporary Australian poetry has a complex and ever-evolving relationship with the land, both at home and abroad. Almost twenty-five years post-Mabo and entrenched in ongoing ecological crises, Australian poets explore new ways of experiencing and defining place. Where misguided nationalism sought to limit Australian poe ...