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Peter Rose

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Recent:

Zenith of Life 

Melbourne Symphony Orchestra
by
28 February 2023
The Melbourne Symphony Orchestra has a new sponsor – Ryman Healthcare. Perhaps inevitably, the gala concert that opened MSO’s 2023 season on Friday evening was titled ‘Zenith of Life’. Goodness knows we all need more healthcare – not to mention sponsors. ... (read more)

Michael Fabiano in Concert 

Opera Australia
by
13 February 2023
The acoustics in the Elisabeth Murdoch Hall at the Melbourne Recital Centre are rightly celebrated. The hall offers shrewd and attentive musicians a rare kind of sonic ambience. We heard two further demonstrations of this last week, when the English pianist Paul Lewis returned to MRC with two more of his Schubert recitals (six sonatas in all) – superlative playing of the greatest finesse. Lewis, who never milks anything – not a phrase nor a post-concert talk – later referred to the Murdoch as one of his favourite concert halls in the world. ... (read more)

This week we draw on ABR’s expanding digital archive and head back to December 2010, when ABR Editor Peter Rose wrote at length about E.M. Forster, author of novels such as Howards End and Room with a View. In this podcast, Rose discusses Wendy Moffat’s biography of Forster, before roaming more widely to revisit those influential novels and dipping into the immense Forster literature – and the even more gargantuan literature of Bloomsbury, of which Forster was a peripheral and somewhat wary member.

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To celebrate the year’s memorable plays, films, television, music, operas, dance, and exhibitions, we invited a number of arts professionals and critics to nominate their favourites.  

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This week’s episode of the ABR podcast is devoted to the Books of the Year. With ABR Editor Peter Rose, critic and writer Beejay Silcox and historian Frank Bongiorno discuss the books that stirred them most in 2022. This follows a Books of the Year feature in the December issue of ABR, with contributions from thirty-six writers and critics. Listen to Peter Rose, Beejay Silcox and Frank Bongiorno discuss the best books of 2022.

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'Coronation Chicken', a new poem by Peter Rose.

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Fifteen years ago, the new Rudd government announced the creation of the Prime Minister’s Literary Awards (PMLAs), to be administered by the Minister for the Arts. There were two prizes at the outset – fiction and non-fiction – each worth $100,000 – tax free to boot. Given the precarious incomes of most Australian writers, the prizes could not have been more welcome. Later, after some lobbying, young adult and children’s fiction were added, followed by poetry and Australian history. Sensibly, like other literary prizes, the PMLA organisers decided in 2011 to reward all the shortlisted authors, not just the winner. 

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The Requiem 

Melbourne Symphony Orchestra
by
31 October 2022

When Alessandro Manzoni died on 22 May 1873, it was an event of major significance in Italy. The poet, novelist, and philosopher – an early proponent of Italian unification – was a hero of the Risorgimento. His novel I promessi sposi (1827), with its appeal to Italian patriotism, was (and remains) one of the most famous Italian novels.

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The ups and downs of biography

Hazel Rowley is the 2007 Australian Book Review/La Trobe University Annual Lecturer. That title is quite a mouthful (the acronym doesn’t bear thinking about), but one that Dr Rowley will handle in her stride, as those who recall her appearances on Australian literary stages will attest.

Dr Rowley – born in England and educated in Australia – taught for many years at Deakin University before moving to the United States. In 1993 she published Christina Stead: A Biography. In her review in The Independent, Doris Lessing said, ‘Christina Stead has long needed a good biographer, and here she is.’ Miegunyah has just issued a revised edition of the biography, in time for Dr Rowley’s Annual Lecture – and her appearance at the Sydney Writers’ Festival.

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Childhood by Shannon Burns

by
October 2022, no. 447

That the boy depicted in Shannon Burns’s nightmarish memoir survived to write it at the age of forty reflects no credit on society or on those around him. His persistence seems remarkable, given the world he entered.

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