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Commentary

Purists and lawyers, sit down. You may need smelling salts or whisky, according to taste. Ready? All right. I predict that your children, or perhaps your children’s children, will read in grammar textbooks that they is the third-person singular pronoun when referring to a person, as well as being the third-person plural pronoun. It will be confined to an animal or a thing.

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I’m not keen to be at this dinner party at Carol’s. I find her hard to take sometimes, with her endless stories about her life in Maningrida. Her husband is away. Instead, there’s Graham, who’s been here nearly ten years; Laurie, who has visited the community from time to time since the 1970s; and Lisa, who is a few years older than me and who runs the art c ...

I know I’m going to sound like a boring old fart, but are we becoming a disposable culture, or what? We throw out everything from old cars to ex-prime ministers. This is a Bad Thing. Our continued growth as a lively, vigorous society depends on our having strong foundations. There could have been no Kylie Minogue had there not been a Little Pattie. No Brett Whiteley without a Sidney Nolan. No Anson Cameron without a Joseph Furphy (literally as well as artistically – they are related). ... (read more)

You are going to Singapore, they said. Yes, but which way? was the natural response. If I’m flying to the island-city, my flight should take in something with a more exotic range of scenery, perhaps even a sniff of nature. Birds and stuff. So the painter and I decided on Portugal: and why not throw in Spain? My own travels had never taken me further than Catalonia, which so determinedly is, and is not, Spain. Off, then, for the long flight west with good books and red wine; en route I looked down on Cairo for the first time in my life. The Ptolemaic map of lights spread out as though forever.

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‘We’ve given Ayers Rock back to the Aborigines!’ Perhaps I remember those words so clearly because a friend spoke them to me over the telephone when I was in England, surprised almost daily at the reforms of the Whitlam government and at the international interest they excited. Years later I reflected on the meaning of that ‘we’. Had he said the same words to an English person, the meaning of it would have been different. Addressed to me, that ‘we’ wasn’t so much a classification that included or excluded me: it was an invitation to be part of a community whose identity was partly formed by its relation to Australia and its past and by its preparedness to accept responsibilities for what head been done to the Aborigines – at that time (before we knew about the stolen children), the taking of their lands and desecration of their sacred places. Had I thought about it, that would partly have answered the question I did ask him. ‘What does giving it back mean?’ He couldn’t say. In fact no one I asked could. No one was interested. Everyone was heartened by the generosity expressed in the gesture and enthusiastic in their hopes for a new era.

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It’s usually said that Australians are uninterested in the metaphysical. Where in America the lines between the secular and religious are notoriously blurred, not least in their politicians or sporting heroes invoking God on almost every conceivable occasion, Australians by contrast are held to be a godless lot, their mythologies entirely secular in form and meaning. God is rarely publicly invoked, except by ministers of religion whose particular business it is duly to do so.

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On the last day of the Melbourne Writers’ Festival, I attended a session titled ‘Hope and Wright Remembered’, a presentation intended as a memorial for those two well-known figures of Australian poetry, A.D. Hope and Judith Wright. For a panel on poetry, it was exceptionally well attended, the Merlyn Theatre being nearly full. I had the impression that the session would be one of two things: either a commemoration ceremony for the recently departed, in which those left behind would eulogise the Great Man and the Great Woman, or it would be a chance for criticism in both its affirmative and condemnatory modes, a chance to make claims either for or against the poets’ work.

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The question is probably all wrong. How can an American – well, an Egyptian-born American, if hyphenate we must – pronounce life on Australia? I came to the Antipodes late in my life, drawn to the Pacific, that great wink of eternity, Melville called it, drawn to horizons more than to origins. I made friends and became in Australia a wintry celebrant.

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When I first picked up a copy of Jackson’s Track: A memoir of a Dreamtime place (Daryl Tonkin and Carolyn Landon, Viking 1999), I expected to find the life story of an Aboriginal woman. The striking cover photograph the 1940s of Euphemia Mullett in high-heeled shoes and light summer dress, standing beside a white man and his horse in a forest clearing suggested it, as did the reference to the dreamtime in the book’s title. I soon discovered my mistake. Jackson’s Track is instead the memoir of the white man in the photograph, Daryl Tonkin, who owned land and a timber mill at Jackson’s Track, West Gippsland, for over forty years from the mid-1930s. During this time, an Aboriginal community of over 150 people established itself at Jackson’s Track, setting up camp in the forest and working for Tonkin, felling timber for the mill. Euphemia Mullett was with those people attracted to the promise of work at Jackson’s Track, and she would go on to live there for over thirty years as Tonkin’s wife.

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I first heard of Martin Boyd at a dinner party in the Cotswolds in the early 1980s. At the time I was adapting a novel by Rosamond Lehmann for the BBC, an enterprise with unexpected hazards, as Rosamond was very much alive and keen to be involved in the process. I had just begun my account of driving to the studio with Rosamond – a formidable and still beautiful woman, who relied on God to solve her parking problems – when the guest of honour, sitting opposite me, interrupted.

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