Settler Colonialism

When I first picked up a copy of Jackson’s Track: A memoir of a Dreamtime place (Daryl Tonkin and Carolyn Landon, Viking 1999), I expected to find the life story of an Aboriginal woman. The striking cover photograph the 1940s of Euphemia Mullett in high-heeled shoes and light summer dress, standing beside a white man and his horse in a forest clearing suggested it, as did the reference to the dreamtime in the book’s title. I soon discovered my mistake. Jackson’s Track is instead the memoir of the white man in the photograph, Daryl Tonkin, who owned land and a timber mill at Jackson’s Track, West Gippsland, for over forty years from the mid-1930s. During this time, an Aboriginal community of over 150 people established itself at Jackson’s Track, setting up camp in the forest and working for Tonkin, felling timber for the mill. Euphemia Mullett was with those people attracted to the promise of work at Jackson’s Track, and she would go on to live there for over thirty years as Tonkin’s wife.

Six weeks after the First Fleet sailed for New South Wales Edward Gibbon completed The Decline and Fall of the Roman Empire. Probably the finest example of the Western tradition of history as chronological and sequential, Gibbon’s work provided the Europe of his time with a panoramic background against which the achievements of modern civilization could be measured.

This is a sad, short book – sad in more ways than one. It is the last work of this century’s greatest authority on the Tasmanian Aborigines. It is the distillation of sixty years of detailed and diverse work. And it is deeply flawed.

Brian Plomley, who died earlier this year, was best known for his doorstop volumes on the original Tasmanians (The Friendly Mission and Weep in Silence). For these we owe Plomley a great debt. He dedicated decades of his life to getting inside the mind of G.A. Robinson, the so-called Conciliator of Tasmania’s last tribal Aborigines. His insights into that man and his era, and the thoroughness of his work on the thinly-spread evidence of pre-European Aboriginal culture in Tasmania, are unique. They would lead us to expect the present slim volume to be a rich distillation. Instead the undoubted riches are contaminated by errors both of fact and judgement.

The chapter explores the influence of William Wales on the young Coleridge when he was a student at Christ’s Hospital, London, Wales, the scientist-navigator who travelled with Cook on the Resolution, was appointed Master of Mathematics at Christ’s Hospital in 1775 and Smith, in this engaging essay, argues that the young Coleridge would have heard the stories of their momentous journey in search of the great South Land. For not only was Wales a teacher of mathematics but his job also included drumming up midshipmen recruits from the Lower School for the Royal Navy. He was ideally suited for this – a man of great stature and intellect who could deliver an exhilarating first-hand account of what it was like to be pushing to the very frontiers of knowledge through maritime exploration.

Barbara Cummings’s history combines archival research, interviews with her peers, and autobiography to declare the common experiences of an Aboriginal sub-culture, the ex-inmates of the Retta Dixon Home in Darwin. She deems it ‘a first step in our healing process’. It is also an outstanding contribution to feminist and Aboriginal history.

In some ways, John Hirst presents his tale of colonial New South Wales as if it were a book for today. In the preface he comments: ‘But why should we care what it was like? – because in many fundamentals this is the political world we still inhabit.’ This theme is sketched and hinted at several times in the text but it is never argued in a systematic and rigorous manner. What are we to make of the claim?

In the late nineteenth century, the Sydney barrister and critic, William Bede Dalley is reported to have said: ‘I enjoy literature in all its manifestations. But if there is one class of books I prefer to another, I think it must be’ – with a flash of his teeth – ‘why, New Books!’