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Media

There are watchdogs and there are lapdogs. Watchdogs are alert. At the slightest movement, they growl. When they bite, it hurts. Lapdogs are alert – to their master’s moods.

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If Gerald Stone had gone to a publisher with a proposal for a book about Channel Seven or Channel Ten, it is doubtful whether it would ever have seen the light of day. But Stone – who would have endured more than a few pitches in his time as a television executive – had the sense to propose a book about his former employer, Channel Nine, and Compulsive Viewing is the result.

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McKenzie Wark had the good fortune to ensconce himself in media studies just when those who once would have busied themselves with Stendhal or John Tranter began to envy his terrain. And his various journalistic gigs, notably his column for The Australian Higher Education Supplement, give him the advantage over other academics of being able to cobble together a book every year or two. Or, as he puts it, ‘Celebrities, Culture and Cyberspace is a book that was written in its own peculiar way, as a series of experiments with fitting events and ideas together, conducted in public, through a wide variety of print and electronic media.’

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Phillip Knightley prefaces his book with these definitions, so which does he want to identify himself with? Surely not the first. A mere scribbler he may have been early in his career, especially when he was recycling other journalists’ stories (hacking them about, perhaps?) at the London officer of the Australian Daily Mirror. But no-one, now, could call him a poor writer.

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The arguments about control of the media seldom mention radio. Yet, because it is cheap to operate, portable, and user-friendly, radio is powerful and governments are always mindful of its potential.

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Western society’s thirst for ease and comfort is insatiable. Every innovation which minimises effort is leapt upon, not always with respect for social and environmental costs. Cars are automatically-geared, air-conditioned, full of devices to save even the effort of winding windows. Unaware of the strain such comforts may cause on natural resources (unless we exert ourselves to find out), we expend scarcely any personal effort on traversing huge distances, where our ancestors who had to walk knew exactly how much energy their travel needed. Living in comfortable homes where clean water is a tap’s turn away, we need give no thought to what sustains the supply, where our forebears knew precisely how much effort was needed to get water (and therefore used it more carefully). Even in pursuit of pleasure we welcome less effort. We love the technology which brings the sound of huge orchestras into our living rooms. We expect to see all kinds of cultural display at the touch of a remote control.

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In recent times, we hear, stars of TV serials such as Neighbours and Home and Away have been mobbed on arrival at Heathrow Airport, and recognized even in Finland – Australian production houses appear to have a talent for capturing on screen alluring fantasies and traumas for purveying to mass audiences, both home and away. The foundations for this sorely-needed export industry were doubtless laid in the 1940s and 50s, when Australian radio serials and drama were heard around the globe, at least in English-speaking countries (subtitles are difficult on radio). At home, hundreds of hours of drama were pumped out every year on ABC and commercial stations ...

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At a recent international conference at Victoria Falls, Mr Rupert Murdoch spoke passionately of the role of a free press. His national masthead, The Australian, reported the essence.

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It is Sunday and that is all it is. I have just read the Australian. It is not Australian. It is The Cringe. I have struggled to like Phillip Adams for years; I liked him when he was Phillip Adams – I guess he did too. He worships Mammon when he once seemed to worship cries in the street and whispers from above. No God in him.

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One of the truly astonishing accounts to emerge in Munster’s account concerns another US president, John F. Kennedy, whose press secretary, Pierre Salinger, forged a cable in Murdoch’s name to kill a Murdoch report of an off-the-record talk he had with the president. The cable, sent through State Department channels, was signed ‘Murdoch’.

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