Non Fiction

Helen Hughes was a professional development economist who worked at the World Bank from 1968 to 1983 and then, as an academic, headed the National Centre for Development Studies at the Australian National University from 1983 to 1993. Since then, she has been a senior fellow at a conservative think-tank, the Centre for Independent Studies, where she initially focused on issues of development in the Pacific and, since 2004, in remote indigenous Australia.

This book’s launch was timed to coincide with the fortieth anniversary of the 1967 referendum. Hughes sets out to assess and address the ‘Aboriginal problem’ for 90,000 indigenous people who live in some 1200 ‘homeland’ settlements established in remote Australia from the 1970s, according to Hughes. Her book focuses on the ‘homelands’, because, in her view, their occupants’ deprivation is the greatest.

The official published accounts of Captain Cook’s three great voyages (1768-79) were immense popular successes in Britain. That for the third voyage sold out within three days of publication in 1784. When the Frenchman La Pérouse sailed from Botany Bay in March 1788 into the Pacific – and into oblivion – he remarked that Cook had done so much that he had left him nothing to do but admire his work. In the previous year, the German, Georg Forster, had published in Berlin his eulogy of Cook, Cook der Entdecker (Cook the Discoverer). Cook was the first international superstar, and time has only increased his celebrity status. Major scholarly biographies continue to be published, and seminars which feature Cook in their titles are sell-outs. The name is box-office magic.

One stock form of biography is attempting the rehabilitation or revision of a character whose reputation seems well settles. In theory, the most challenging of such projects is that of returning the Devil, otherwise known as Lucifer or Satan, from the lowest circle of human estimation to a more sympathetic or nuanced position. With a tip of the hat to Jack Miles’s God: A Biography (1995), Henry Ansgar Kelly constructs a diabolical life of sorts, retracing the idea of Satan across the centuries from ancient Israel to contemporary Catholicism. This is partly a popularising presentation of scholarly research on an idea and its variations, and partly the outworking of the attractive conceit, borrowed from Miles, that behind the pages of scriptural and apocryphal material lies the development of a real character.

Joanna Mendelssohn is best known as an art critic and historian. After the publication of an essay in The Griffith review entitled ‘Going Private’, Pluto Press commissioned her to write a piece for its Now Australia series. Similar to Black Inc.’s Quarterly Essays, but even more determinedly non-academic, the Pluto Press format is part of a publishing phenomenon and covers a range of political, intellectual and cultural views on public issues and debates. The authors are not necessarily experts in the area they write about, nor are their views always based on systematic, in-depth research.

A little over a year ago, the contents of George W Bush’s iPod were made public. The revelation offered momentary respite to the beleaguered president as the international press seized upon the playlist, scrutinised its contents and, much to the relief of the White House, made tallies of song titles and popular music genres instead of the latest casualties in Iraq. IPod One, as it was dubbed, was shown to be heavy on country and western music and 1970s rock, and light on just about everything else. ‘No black artists, no gay artists, no world music, only one woman, no genre less than 25 years old, and no Beatles,’ reported the London Times.

The Cinema of Australia and New Zealand is the thirteenth of Wallflower Press’s ‘24 frames’ series, but there is no need for the editors to feel superstitious on that account. This is a series which presents certain problems. It requires the editor(s) of each volume to choose twenty-four films that are, in some degree, representative of the titular country, or, as the case sometimes even more dauntingly is, of two titular countries – and I know whereof I speak. Having edited Wallflower’s The Cinema of Britain and Ireland (2005), I can sympathise with the difficulties involved in trying to achieve any sort of representativeness across not one but two film-making countries. And I might add resentfully that Canada gets a whole volume to itself. Canada!

One of the major cliches of recent years is the retiring politician’s parting statement, ‘I’m leaving politics to spend more time with my family’. Indeed, the tensions between work and family commitments have become a regular topic in the media. Newspaper articles sometimes cite the views of prominent social scientists, whose academic publications affirm the popular view that society as a whole benefits from fostering a working environment that acknowledges the importance of family and community. With Weighing up Australian Values, Brian Howe, a former deputy prime minister (1991–96), becomes the latest in a long line of Australian authors to promote public policies that encourage work-life balance.

Theodore Dalrymple’s latest book, Romancing Opiates, slams societal and professional attitudes to heroin addiction. Dalrymple argues that heroin users are not blameless patients, as the medical fraternity would have us believe. ln fact, he tells us, heroin users have to work quite hard to get addicted; withdrawal is about as difficult as the flu; and the support industry, which he calls the ‘addiction bureaucracy’, is ineffective and self-serving. Dalrymple contends that the heroin epidemic cannot be dealt with until it is recognised as a moral and spiritual problem rather than solely as a medical one.

The history of Cobb & Co. belongs as much in the territory of folklore as it does in the annals of business. Within forty years of its inception, the company had become synonymous with coach travel in Australia, and later became the subject of a nostalgic tribute in verse by Henry Lawson. There is much ground to cover, and this book blazes new trails as it travels between the commercial and the iconic aspects of Cobb & Co.’s operations.

Diane Coyle has a passion for economics and believes that the object of her passion should possess a soul. She fails to convince on this point, but that is of little account. She has written an absorbing book that sets out what economists do and that provides a commentary on current thinking.