Indigenous Studies

Whether you love or hate lawyer–activist Noel Pearson’s ideas, you have to admire his chutzpah, his willingness to put his ideas out there for public discussion and debate, even if his own dogmatism sometimes limits his diplomatic engagements ...

The painting of the Yuendumu doors in 1984 by Warlpiri artists, whose country is north-west of Alice Springs, represented an extraordinary moment in Australian art and modern art generally. In the 1980s some Aboriginal elders painted the doors in the Yuendumu School building to prompt students to show respect for their school and as a marker of their culture. It was the first time that they had painted using acrylics (not ochres), in colours never before used, to record the major stories of their community.

Protests, Land Rights and Riots examines indigenous politics in New South Wales in the 1980s. The discussion focuses on several protests, including the infamous 1987 ‘Brewarrina riot’, which followed the death of a young Aboriginal man in police custody, as well as a 1990 demonstration against amendments to the Aboriginal Land Rights Act 1983 (New South Wales). Morris, an anthropologist, provides the background to these and other events, and captures the tensions that characterised indigenous politics at the time, as well as the post-colonial ‘fantasies’ and ‘anxieties’ that infused the broader society around its bicentenary.

The Aborigines of Australia are among the more land-rich of colonised peoples. More than one fifth of Australia is under Aboriginal ownership, and a perpetual fund – established by Labor and fattened by Coalition and Labor governments – will add to this estate. To examine this recent change in Australian real estate as a ‘quiet revolution’ was a good choice of theme by Marcia Langton.